Bryant & May and the Memory of Blood : (Bryant & May Book 9) Paperback
Part of the Bryant and May series
The defenestration of a ruthless theatre impresario's young son was definitely not the best way to end the play's first night party. And the crime scene itself was most unusual: a locked bedroom, with no sign of forced entry, no prints or traces of blood, just a sinister, life-size puppet of Mr Punch lying on the floor...Everyone at the party - from the dodgy producer and rakish male lead to the dour set designer and the assistant stage manager (the wild daughter of a prominent civil servant) - is a suspect.
It's a perfect case for Bryant and May and the Peculiar Crimes Unit but the Home Office, wary of the PCU's eccentric methods and intensely aware of the potential political embarrassment, wants them off the investigation.
The elderly detectives are not so easily deterred, however.
Delving into the history of London theatre and the gruesome origins of 'Punch and Judy', they uncover a maniacal killer is at work - one who must be caught before it's curtains for everyone.
- Format: Paperback
- Pages: 352 pages
- Publisher: Transworld Publishers Ltd
- Publication Date: 29/03/2012
- Category: Crime & mystery
- ISBN: 9780857500946
- EPUB from £4.99
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Review by Finxy
Christopher Fowler's wonderful creations, elderly detectives Bryant and May and the Peculiar Crimes Unit are called in to investigate the brutal killing of a young baby taken from its cot in a locked room, shaken to death and callously thrown out the window. And on the floor next to the cot lies a life size Mr Punch doll. As ever Bryant dives into the esoteric aspects of the case while May employs solid police work. The book kicks off with some documents detailing the history and function of the PCU complete with personnel files, and all seemingly compiled and perused by shadowy government types bent on closing down the unit.Generally Bryant usually states that he doesn't do multi-tasking so he's severely hampered this time by being distracted by the suspicious death of his biographer. Luckily DS Janice Longbright agrees to help him get to the bottom of it so that he can get to grips with the main investigation. London's theatrical history and our own peculiar fascination with Punch and Judy over the centuries certainly give the old detective plenty of food for thought.Fowler manages to pull off his own brand of alchemy that blends the outright absurd with hard reality but no matter how dark it gets there is always room for humour.My only slight niggle is that opening chapter. It's one of those 'let's lift a weird and exciting chapter from the end of the book and put it right at the start so the reader doesn't get put off by the sedate start.' I love all the slow build up so I don't think it was needed.Prequel chapter aside I still had a good time with Bryant and May again.Review from an advanced readers copy.