The Call of Cthulhu : And Other Weird Stories, Paperback

The Call of Cthulhu : And Other Weird Stories Paperback

Edited by S. T. Joshi

Part of the Penguin Modern Classics series

3.5 out of 5 (4 ratings)


H P Lovecraft is credited with reinventing the horror genre in the twentieth century.

In this volume, Lovecraft's preeminent interpreter, S T Joshi, presents a selection of the master's fiction.

These stories reveal the development of Lovecraft's mesmerizing narrative style and establish him as a canonical - and visionary - American writer.


  • Format: Paperback
  • Pages: 448 pages
  • Publisher: Penguin Books Ltd
  • Publication Date:
  • Category: Anthologies (non-poetry)
  • ISBN: 9780141187068



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Showing 1 - 4 of 4 reviews.

Review by

This collection includes some of the best short stories written by H.P. Lovecraft. The stories themselves have been recollated and proofed against the original sources and are the definitive texts. Good introduction to Lovecraft for novices.

Review by

What I like about Lovecraft’s short stories is the way he created a whole mythology that not only links them together but pulls in strands from the stories of other horror writers of the era. A little Internet investigation will confirm this – whole dissertations have been written about it and The Necronomicon, that hideous and blasphemous text, supposedly written by the mad Arab, Abdul Alhazred, but in reality a fiction and construct of Lovecraft’s imagination. I read somewhere that he used to edit and improve the stories of other writers, giving him further opportunity to extend the web of his fiction until one almost begins to wonder where imagination begins. These stories have become modern classics, although sometimes they feel overlong and dated in their formality. There are passages of marvellous writing and glimpses into the mind of the writer himself: somehow one feels the presence of Lovecraft in all his narrators, so it’s almost as though one knows the author (although some darkish mystery remains) by the end of the book. I’m not sure how these stories would compare to the modern equivalent because I haven’t read any to speak of; all I can say is that the horror in Lovecraft’s work doesn’t rely on gore or explicit violence and there’s no sex. It’s more the creeping fear of the unseen, the presence in the darkness, that builds gradually to alien and unspeakable happenings, some of which seem almost to tap into primeval memories. Clever stuff!

Review by

I struggled with this one - in fact, no other book has taken me longer to read. I first took a look at it in 2005, and slowly worked my way through the first half dozen stories. Then, sadly, I shelved it as a project I couldn't finish. I didn't take to Lovecraft's style of writing at all. I found it to be too idiosyncratic and somehow distant, and definitely too pensive. I can understand the cult that's grown up around his work, and I did get a real kick out of reading "The Shadow Over Innsmouth," but I think this is where my horror adventure ends.

Review by

I’m pretty sure I’ve read Lovecraft in the past – in fact, I have a quite vivid memory of the cover art of a Lovecraft collection which, I think, I borrowed from Coventry City Library back in the early 1990s. It’s hard to be sure, given there’s so many different ways to pick up knowledge of his oeuvre and the Cthulhu mythos – I used to play the Call of Cthulhu RPG when I was at school, for example. Having said that, none of the stories in The Call of Cthulhu and Other Weird Stories seemed especially familiar. I’d always thought Lovecraft’s prose of poor quality, and despite a recent discussion on that subject, I suspect I may be revising my opinion. The early stuff is pretty bad – Q: when is a door not a door? A: when it’s a “panelled portal”; and Lovecraft had a bad habit of saying something is indescribable… and then going on to describe it. But by the late 1920s, his writing had improved hugely, and in stories like ‘The Call of Cthulhu’ (1928) and ‘The Shadow of Innsmouth’ (1931), he’d toned down his love of adjectives to great effect; and while he might still recycle his favourite words a few times too often, the less-is-more approach was certainly better at evoking eldritch horror. I have to admit, I enjoyed this collection a lot more than I’d expected. Happily, I bought all three of the Penguin Modern Classic Lovecraft books, so I have The Dreams in the Witch House and Other Weird Stories and The Thing on the Doorstep and Other Weird Stories, all in nice matching paperback editions.

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