Julian Cope, eccentric and visionary rock musician, follows the runaway underground success of his book "Krautrocksampler" with "Japrocksampler", a cult deconstruction of Japanese rock music, and reveals what really happened when East met West after World War Two.
It explores the clash between traditional, conservative Japanese values and the wild rock 'n' roll renegades of the 1960s and 70s, and tells of the seminal artists in Japanese post-war culture, from itinerant art-house poets to violent refusenik rock groups with a penchant for plane hijacking.
- Format: Paperback
- Pages: 304 pages, Colour Inserts
- Publisher: Bloomsbury Publishing PLC
- Publication Date: 06/10/2008
- Category: Rock & Pop music
- ISBN: 9780747593034
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Review by missizicks
Interesting exploration of Japanese post war political, economic, and social history as context for the cross-pollination of Japanese and Western experimental music via jazz, rock and pop. Cope's tastes take priority, naturally, and the focus is on experimental and psychedelic music, with Japanese rock and pop almost dismissed as being superficial and slavishly copyist. He's kinder about jazz, particularly in the creative collaborations between German and Japanese composers, and I'm now aware of more Japanese and German jazz musicians from the 60s and 70s than I was before. Clearly a subject Cope is passionate about, the only niggles I have are with the poor spelling/subbing and the repetition of stories that involve multiple bands in each of those bands' biographies.