No Name Paperback
Edited by Virginia Blain
Part of the Oxford World's Classics series
Magdalen Vanstone and her sister Norah learn the true meaning of social stigma in Victorian England only after the traumatic discovery that their dearly loved parents, whose sudden deaths have left them orphans, were not married at the time of their birth. Disinherited by law and brutally ousted from Combe-Raven, the idyllic country estate which has been their peaceful home since childhood, the two young women are left to fend for themselves. While the submissive Norah follows a path of duty and hardship as a governess, her high-spirited and rebellious younger sister has made other decisions. Determined to regain her rightful inheritance at any cost, Magdalen uses her unconventional beauty and dramatic talent in recklessly pursuing her revenge. Aided by the audacious swindler Captain Wragge, she braves a series of trials leading up to the climactic test: can she trade herself in marriage to the man she loathes?
Written in the early 1860s, between The Woman in White and The Moonstone, No Name was rejected as immoral by critics of its time, but is today regarded as a novel of outstanding social insight, showing Collins at the height of his powers. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe.
Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
- Format: Paperback
- Pages: 784 pages, drawing
- Publisher: Oxford University Press
- Publication Date: 10/07/2008
- Category: Classic fiction (pre c 1945)
- ISBN: 9780199536733
- Paperback from £7.65
- EPUB from £3.99
- Hardback from £25.95
Showing 1 - 1 of 1 reviews.
Review by kathleen586
I heartily recommend this book to fans of Wilkie Collins! I really enjoyed it even though it wasn't quite as good as <i>The Woman in White</i> or <i>The Moonstone</i>. I think the dénouement could have been more dramatic, but I see why Collins ended the book the way he did.