Snowdrops
(18 ratings)
- Format:
- Paperback
- Pages:
- 288
- Publisher:
- Atlantic Books
- Publication Date:
- 01 September 2011
- Category:
- Modern & Contemporary
- ISBN:
- 9781848874534
Description
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Showing 1-4 out of 18 reviews. Previous | Next
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A simple story of an ex-pat lawyer who becomes unintentionally involved in two cons, one corporate, one personal. It's brilliance is in how you get such a total feel for modern day Moscow and all the people there. A book that quickly and totally draws you in, strongly recommended.
BrianHostad
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Wow this is a good read. "Snowdrops" is written in the form of a confession to the main character's wife to be. Nicholas is recalling time spent in Moscow and events that he was drawn in to...events that he is deeply ashamed of. Indeed he is very unsure whether his fiancee will want to marry him by the time the story ends.It is a fast paced novel, intelligently written and absolutely gripping. It's all there...corruption, intrigue, murder and scams. Our character also visits other parts of Russia and it has to be said that the country, particularly Moscow, isn't going to win 5 stars on Trip Advisor on the strength of A D Miller's descriptions, but it makes fascinating reading.This is a convincing illustration of how an ordinary and seemingly intelligent lawyer can be duped in to a well organised scam and I don't think I am giving anything away by telling you that a "snowdrop", in Russian slang, is a "corpse that lies buried or hidden in the winter snows, emerging only in the thaw".A must read
teresa1953
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<I>“A month seemed optimistic, though in Russia you never knew. They could wallow in mud and vodka for a decade, then conjure up a skyscraper or execute a royal family in an afternoon, if they put their minds to it and the incentives were right.”</i>Ever since I read Gorky Park when I was about 14, I’ve loved all things Russian. I went on to read many of the great Russian novels, including Anna Karenina and The Brothers Karamazov, as well as many short stories by Chekov and Gogol. Then I was fascinated the last tsar’s family in Nicholas and Alexandra by Robert K. Massie. I even studied Russian independently for awhile, but it’s a tough language. I can still read it if it’s a person’s or city’s name or an American or scientific word, but unfortunately I can’t understand or participate in a Russian conversation.When Child 44 by Tom Rob Smith got such good reviews and was longlisted for the Booker Prize, I read and loved it. Then Snowdrops was moved to the shortlist for the Booker this year, and I knew I had to read it and get my Russian fix.The term ‘snowdrops’ refers to dead bodies found after the snow from the long Russian winters begins to melt. Right away from the first page, we find out that a ‘snowdrop’ has been found. The narrator, Nick, is a British lawyer working for British banks who finance Russian corporations. The story involves how the fall of communism has affected Russians in their everyday life, as well as the role of crime in modern day Russia.Miller creates some memorable characters. Aside from Nick, we have Masha, his girlfriend, and her sister Katya. There is Oleg, Nick’s elderly neighbor, who needs help finding his missing friend. Tatiana is the girls’ aunt, who was given her apartment by Stalin’s regime, and then The Cossack, a shady figure in Nick’s business dealings. The gist of the story is that Nick is telling his future wife the whole tale of his time in Moscow and asking her whether or not she still wants to marry him.The book’s inclusion on the Booker shortlist has raised a bit of a controversy. Some have loved the book and some have thought it just your average crime novel. I am of the former variety. I loved it not only because it involved a Russian setting, but also because it really made me think about the questions it raises at the end.Another controversy is that some people have said it might be a little misogynistic. While I am all for calling out misogyny and have done so in previous book reviews, I don’t believe that is the case here, though I respect other people’s opinions. The reason I don’t think it applies is that misogynists, by definition, hate women. Nick himself didn’t hate women, though perhaps some of the other characters did. Yes, the book is full of women of dubious morals, but I never thought that was misogynistic in and of itself.All in all, if you love anything Russian or crime novels in general, I definitely encourage you to read Snowdrops.
1morechapter
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A.D. Miller’s first novel, Snowdrops, has been shortlisted for the 2011 Man Booker Prize, one of the British Commonwealth’s most prestigious writing awards. It’s a fine novel, telling a story that hasn’t been told elsewhere: what Moscow looked like, felt like, how it did business and how it was criminal in the days just after the fall of the Soviet Union. The first person narrator, Nick Platt, is a British lawyer who has lived in Moscow for four years at the time the story starts. The book is his explanation to his fiancée about his time in Russia: "You’re always saying that I never talk about my time in Moscow or about why I left. You’re right, I’ve always made excuses, and soon you’ll understand why. But you’ve gone on asking me, and for some reason lately I keep thinking about it – I can’t stop myself. Perhaps it’s because we’re only three months away from “the big day,” and that somehow seems a sort of reckoning. I feel like I need to tell someone about Russia, even if it hurts. Also that probably you should know, since we’re going to make these promises to each other, and maybe even keep them. I think you have a right to know all of it. I thought it would be easier if I wrote it down. You won’t have to make an effort to put a brave face on things, and I won’t have to watch you." Combined with the appearance of a corpse as the book opens – a “snowdrop,” a body hidden by the snow that becomes obvious only in the spring thaw – this is perfect foreshadowing for what follows. The reader cannot read a single page without a sense of foreboding, wondering what happened and when, who the corpse is, what Nick did (is he a murderer?), until one is in the middle of a brutally cold Moscow winter with Nick, almost helplessly acting as an accomplice to a crime or two. Nick is not a nice man, it seems, but neither is he evil; he is simply weak. The source of his weakness is Maria Kovalenko – Masha, as she is called by her friends. In a chance meeting in the subway, Nick rescues Masha and her sister, Katya, from a purse snatcher. Nick is immediately attracted to Masha, even though their meeting is brief. He begins wondering whether she is “the one” from his first sight of her. Why? That he can’t seem to explain, though he admires her irony, he says: “She had an air that suggested she already knew how it would end, and almost wanted me to know that too.” The fact that she is beautiful certainly helps. Masha and Katya introduce Nick to their aunt, Tatiana Vladimirovna, an old widow who is a relic of the Soviet system down to her bowl-cut hair – and especially to her lovely apartment, given to her for services to the Fatherland. Tatiana is soon to retire, and is considering moving to a smaller apartment in the country. Masha and Katya ask Nick to help Tatiana with the papers necessary to the apartment swap; and that’s where things start to get ugly. There is a subplot involving a Cossack who seeks financing from Nick’s banking and investment clients. Just as we can tell from the beginning that Nick’s romance with Masha is doomed, we can see from the outset that the Cossack is basically a crime lord. Does Nick see this from the beginning, or is this so obvious only in retrospect? Does Nick really care? He refers to those days in Russia as a “gold rush,” a time when Russia was wide open to both capitalism and crime and the two were indistinguishable. Everything is about money. Indeed, an acquaintance of Nick’s, a reporter who fell in love with Russia and has never left, says to him, “In Russia, there are no business stories. And there are no politics stories. There are no love stories. There are only crime stories.” The frigid Moscow winter, as Miller describes it, is an analogy to the frigid principal characters in Snowdrops. This is a dark and depressing novel, a snapshot of a time and place so foreign that it is almost past understanding. The hapless Nick is in love not only with Masha, but with the energy of this new, lawless Russia. Nick can only partake of this energy passively, sadly; he has lost who he is with the melting snow. Nick is himself a “snowdrop.” One doesn’t exactly enjoy Snowdrops; it is too dark for that. It combines the Russian bleakness of Anton Chekhov with the English bleakness of Thomas Hardy. But one must admire Miller’s writing. The sights and especially the smells; the bite of the cold and the heat of the sauna; the food and the sex are all described sparingly, yet vividly. The plotting is strong, with the story opening up to meet the foreshadowing with precision. It is more assured than one expects a writer’s first novel to be.
TerryWeyna
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