Please note: In order to keep Hive up to date and provide users with the best features, we are no longer able to fully support Internet Explorer. The site is still available to you, however some sections of the site may appear broken. We would encourage you to move to a more modern browser like Firefox, Edge or Chrome in order to experience the site fully.

Russian Minimalism : From the Prose Poem to the Anti-Story, Paperback / softback Book

Russian Minimalism : From the Prose Poem to the Anti-Story Paperback / softback

Part of the Studies in Russian Literature and Theory series

Paperback / softback

Description

Challenging traditional concepts of poetry and narrative prose, the prose poem is by nature a "subversive" form--and as such has drawn extensive interest in literature and criticism during the past two decades.

Russian Minimalism is the first book to apply the theoretical debate on the nature of the prose poem to the history of Russian literature.

In it Adrian Wanner uses the notion of minimalism, borrowed from the realm of American visual arts, as a critical tool for a historical investigation of the genesis and development of the Russian prose miniature, going back to the nineteenth and early twentieth century. The paradoxical genre of the prose poem, developed by the French poet Charles Baudelaire, provides Wanner with an overarching theoretical rubric for a variety of works of Russian literature, ranging from Ivan Turgenev's "Poems in Prose" to a host of decadent, symbolist, realist, and futurist miniatures, including Fedor Sologub's "Little Fairy Tales," Aleksei Remizov's dreams, Vasilii Kandinskii's prose poems, and Daniil Kharms' absurdist ministories.

His book demonstrates how the negativity inherent in the form of the prose poem transformed the overwrought lyricism of fin de siecle prose into the ascetic starkness of the twentieth-century minimalist anti-story.

Information

£36.95

Item not Available
 
Free Home Delivery

on all orders

 
Pick up orders

from local bookshops

Information

Also in the Studies in Russian Literature and Theory series  |  View all