Digital creativity is boundless. Art practitioners continue to explore what technology has to offer and practice-based research is redefining their disciplines.
The experience of arts computing in the last decades provides a sound basis for theorising this practice.
Since its inception in 1985, CHArt - Computers and the History of Art - has been at the forefront of international debate on digital art practice, curation and scholarship.
The ten papers included in this volume, the third CHArt Yearbook published by Intellect, are drawn from recent CHArt conferences.
They articulate methodological and theoretical perspectives on digital media, including communication and preservation of digital artworks.
These issues are pertinent to contemporary visual culture and may help deepen its understanding.