Please note: In order to keep Hive up to date and provide users with the best features, we are no longer able to fully support Internet Explorer. The site is still available to you, however some sections of the site may appear broken. We would encourage you to move to a more modern browser like Firefox, Edge or Chrome in order to experience the site fully.

Singing to the Lyre in Renaissance Italy : Memory, Performance, and Oral Poetry, Paperback / softback Book

Singing to the Lyre in Renaissance Italy : Memory, Performance, and Oral Poetry Paperback / softback

Paperback / softback

Description

A primary mode for the creation and dissemination of poetry in Renaissance Italy was the oral practice of singing and improvising verse to the accompaniment of a stringed instrument.

Singing to the Lyre is the first comprehensive study of this ubiquitous practice, which was cultivated by performers ranging from popes, princes, and many artists, to professionals of both mercantile and humanist background.

Common to all was a strong degree of mixed orality based on a synergy between writing and the oral operations of memory, improvisation, and performance.

As a cultural practice deeply rooted in language and supported by ancient precedent, cantare ad lyram (singing to the lyre) is also a reflection of Renaissance cultural priorities, including the status of vernacular poetry, the study and practice of rhetoric, the oral foundations of humanist education, and the performative culture of the courts reflected in theatrical presentations and Castiglione's Il cortegiano.

Information

£24.99

 
Free Home Delivery

on all orders

 
Pick up orders

from local bookshops

Information