Please note: In order to keep Hive up to date and provide users with the best features, we are no longer able to fully support Internet Explorer. The site is still available to you, however some sections of the site may appear broken. We would encourage you to move to a more modern browser like Firefox, Edge or Chrome in order to experience the site fully.

Performing Economic Thought : English Drama and Mercantile Writing 1600-1642, Hardback Book

Performing Economic Thought : English Drama and Mercantile Writing 1600-1642 Hardback

Part of the Edinburgh Critical Studies in Renaissance Culture series

Hardback

Description

This book provides an original account of the relationship between economic thought and early modern drama.

This new study examines the structural similarities between English mercantile treatises and drama c1600-1642.

Bradley D. Ryner analyses the representational conventions of plays and mercantile treatises written between the chartering of the English East India Company in 1600 and the closing of the public playhouses at the outset of the English Civil War in 1642.

Ryner shows that playwrights' manipulation of specific elements of theatrical representation - such as metaphor, props, dramatic character, stage space, audience interaction, and genre - exacerbated the tension between the aspects of the world taken into account by a particular representation and those aspects that it neglects.

Treatises by Thomas Milles, Gerard Malynes, Edward Misselden, and Thomas Mun are considered alongside plays by William Shakespeare, Thomas Middleton, Walter Mountfort, Thomas Heywood, Ben Jonson, Philip Massinger, and Richard Brome.

Information

Save 16%

£90.00

£74.95

 
Free Home Delivery

on all orders

 
Pick up orders

from local bookshops

Information

Also in the Edinburgh Critical Studies in Renaissance Culture series  |  View all