Please note: In order to keep Hive up to date and provide users with the best features, we are no longer able to fully support Internet Explorer. The site is still available to you, however some sections of the site may appear broken. We would encourage you to move to a more modern browser like Firefox, Edge or Chrome in order to experience the site fully.

White Ink Stains, Paperback / softback Book

White Ink Stains Paperback / softback

Paperback / softback

Description

Eleanor Brown's first collection, Maiden Speech, published by Bloodaxe in 1996, included her much anthologised "girlfriend's revenge" poem 'Bitcherel' along with a widely praised sequence of fifty love and end-of-love sonnets written during her 20s.

Her second collection, White Ink Stains, appearing three decades later, draws on the lives of women of all ages.

Taking her title from the idea that when a woman writes about her experience as a woman, 'she writes in white ink' (Helene Cixous), Eleanor Brown wanted to inscribe, among other things, the unseen labour of endowing infants with their mother tongue, their birthright of speech and language skills - the babbling, cooing, phonic repetition, echolalia, chanting of nonsense-words, singing of lullabies, nursery rhymes, counting rhymes, clapping songs, and telling of bedtime stories that is often the invisible and unrecorded work of women with pre-school-age children.

A number of these poems were written in response to interviews made for the Reading Sheffield oral history project.

Eleanor Brown spent over a year listening to recordings before starting to write these poems, some of which stay very faithful to the speaker's own words, while others travel further into an imaginative or active, poetic listening; these are the poems she heard not in what was said, but in pauses, intonations, emphasis, whispers, asides, digressions and deflections.

Information

Other Formats

Save 5%

£9.95

£9.45

 
Free Home Delivery

on all orders

 
Pick up orders

from local bookshops

Information