Please note: In order to keep Hive up to date and provide users with the best features, we are no longer able to fully support Internet Explorer. The site is still available to you, however some sections of the site may appear broken. We would encourage you to move to a more modern browser like Firefox, Edge or Chrome in order to experience the site fully.

Supporting your high street Find out how »
Ten Percent of Nothing : The Case of the Literary Agent from Hell, Hardback Book

Ten Percent of Nothing : The Case of the Literary Agent from Hell Hardback

Hardback

Item not Available

Description

During the 1920s and 1930s at the Bryn Mawr Summer School for Women Workers, working-class women were educated in the liberal arts and instructed in writing to assume more powerful roles in the industrial workplace.

In Liberating Voices: Writing at the Bryn Mawr Summer School for Women Workers, Karyn L.

Hollis tells the remarkable story of how this multi-class, multi-ethnic American institution emerged from the broad social, economic, and ideological trends of the era with roots in composition pedagogy, literary history, and leftist thought.

The summer school curriculum, Hollis shows, enhanced the individual and collective self-confidence of the 1,800 women who studied there between 1921 and 1938.

Drawing heavily on the women's writings - including autobiography, poetry, labor drama, humor, and economic reporting - Liberating Voices adds significantly to the small oeuvre of published writing by working-class women, who were, in this case, mostly non-traditional students, immigrants, and minorities.

Outlining a materialist pedagogy that centers on the women's daily economic struggles as well as their family and community experiences, Hollis reveals the tensions that stemmed from differences in race, ethnicity, class, and religion.

She also shows how the students drew strength from their diversity, eventually insisting on a democratic sharing of power with faculty and administrators at the Summer School.

Hollis provides a thorough ethnography of the Summer School with respect to its place in the social and political history of the 1920s and 1930s, then situates the school's pedagogy within the history of American education and composition instruction.

Concepts from literary criticism and composition theory provide the framework for an analysis of the working women's autobiographical writing, revealing how the narrative voice of their prose grew from weak and individualized to empowered and collective as the women described their families, childhood, work, unions, and education over time.

Information

£62.50

Item not Available
Item not Available
Sign in to add to wishlist
 
Free Home Delivery

on all orders

 
Pick up orders

from local bookshops

Information