Part of the Colour library series
Johannes Vermeer of Delft (1632-75), known as 'the painter of light', was one of the most talented artists of the Dutch Golden Age.
Only 36 of his paintings survive and little is known about his life, yet he is one of the most popular of the Old Masters.
His tranquil and meticulously painted interiors, of such subjects as women writing or reading love letters, and men and women drinking together or playing musical instruments, are acutely observed and have an enduring appeal, both for their subject-matter and for the artist's breathtaking technique and sensuous handling of paint.Vermeer was raised in an inn, and he followed in his father's footsteps, becoming an innkeeper and an art dealer, as well as an artist.
He qualified as a master painter in the Delft artists' Guild in 1653 and remained in the town all his life.
He was greatly influenced by the artistic milieu, particularly by the painters Carel Fabritius, Leonaert Bramer, Pieter de Hooch and Gerard Dou.
This book illustrates in colour all his extant works, including the magnificant townscape, View of Delft, and the allegory, The Art of Painting; with 12 telling details, it provides an excellent overview of his work and technique.
- Format: Paperback
- Pages: 128 pages
- Publisher: Phaidon Press Ltd
- Publication Date: 19/10/1995
- Category: History of art & design styles: c 1400 to c 1600
- ISBN: 9780714834634
Showing 1 - 2 of 2 reviews.
Review by eileansiar
Large, low cost, full page illustrations, insightful analysis of each painting, biographical details, historical context
Review by Neutiquam_Erro
This slim volume on Vermeer contains all of his known paintings while excluding the well-known forgeries. Following a brief but informative introduction, each plate is presented in full colour, filling an entire page. A short description of each painting is provided on the opposite page, usually dealing with relevant history and technique but not providing over-much analysis.I would strongly recommend this book as an introduction to Vermeer's work. It provides background but does not attempt complicated analysis of the artist or his paintings, leaving the reader free to formulate his or her own ideas about what the artist is saying. The quality of the prints is excellent. I can not speak to the quality of the colour reproduction (as does another reviewer) because I do not have the originals for side-by-side comparison but paintings such as A View of Delft, or The Milkmaid are sharp and vibrant.While an art scholar might appreciate a more in-depth approach to this subject, I strongly recommend this to the casual reader or lover of art. For a very small price one can bask in the visual splendors of a master.