Please note: In order to keep Hive up to date and provide users with the best features, we are no longer able to fully support Internet Explorer. The site is still available to you, however some sections of the site may appear broken. We would encourage you to move to a more modern browser like Firefox, Edge or Chrome in order to experience the site fully.

Disguise on the Early Modern English Stage, Hardback Book

Disguise on the Early Modern English Stage Hardback

Part of the Studies in Performance and Early Modern Drama series

Hardback

Description

Disguise devices figure in many early modern English plays, and an examination of them clearly affords an important reflection on the growth of early theatre as well as on important aspects of the developing nation.

In this study Peter Hyland considers a range of practical issues related to the performance of disguise.

He goes on to examine various conceptual issues that provide a background to theatrical disguise (the relation of self and "other", the meaning of mask and performance).

He looks at many disguise plays under three broad headings.

He considers moral issues (the almost universal association of disguise with "evil"); social issues (sumptuary legislation, clothing, and the theatre, and constructions of class, gender and national or racial identity); and aesthetic issues (disguise as an emblem of theatre, and the significance of disguise for the dramatic artist). The study serves to examine the significant ways in which disguise devices have been used in early modern drama in England.

Information

Other Formats

£140.00

 
Free Home Delivery

on all orders

 
Pick up orders

from local bookshops

Information