Please note: In order to keep Hive up to date and provide users with the best features, we are no longer able to fully support Internet Explorer. The site is still available to you, however some sections of the site may appear broken. We would encourage you to move to a more modern browser like Firefox, Edge or Chrome in order to experience the site fully.

Humor, Empathy, and Community in Twentieth-Century American Poetry, PDF eBook

Humor, Empathy, and Community in Twentieth-Century American Poetry PDF

PDF

Please note: eBooks can only be purchased with a UK issued credit card and all our eBooks (ePub and PDF) are DRM protected.

Description

Humor, Empathy, and Community in Twentieth-Century American Poetry explores how American poets of the last hundred years have used laughter to create communities of readers and writers.

For poets slightly outside of the literary or social mainstream, humor encourages mutual understanding and empathic insight among artist, audience, and subject.

As a result, laughter helps poets reframe and reject literary, political, and discursive hierarchies-whether tooverturn those hierarchies, or to place themselves at the top. While theorists like Freud and Bergson argue that laughter patrols and maintains the boundary between in-group and out-group, this volume shows how laughter helps us cross or re-draw those boundaries.

Poets who practice such constructive humor promote a more democratic approach to laughter.

Humor reveals their beliefs about their audiences and their attitudes toward the Romantic notion that poets are exceptional figures.

When poets use humor to promote empathy, they suggest that poetry'sethical function is tied to its structure: empathy, humor, and poetry identify shared patterns among apparently disparate objects. This book explores a broad range of serious approaches to laughter: the inclusive, community-building humor of W.

H. Auden and Marianne Moore; the self-aggrandizing humor of Ezra Pound; the self-critical humor of T.

S. Eliot; Sterling Brown's antihierarchical comedy; Elizabeth Bishop's attempts to balance mockery with sympathy; and the comic epistemologies of Lucille Clifton, Stephanie Burt, Cathy Park Hong, and other contemporary poets.

It charts a developing poetics of laughter in thetwentieth and twenty-first centuries, showing how humor can be deployed to embrace, to exclude, and to transform.

Information

Other Formats

Information