Charged with strangeness and beauty, Hill of Doors is a haunted and haunting book, where each successive poem seems a shape conjured from the shadows, and where the uncanny is made physically present.
The collection sees the return of some familiar members of the Robertson company, including Strindberg - heading, as usual, towards calamity - and the shape-shifter Dionysus.
Four loose retellings of stories of the Greek god form pillars for the book, alongside four short Ovid versions.
Threaded through these are a series of pieces about the poet's childhood on the north-east coast, his fascination with the sea and the islands of Scotland.
However, the reader will also discover a distinct new note in Robertson's austere but ravishing poetry: towards the possibility of contentment - a house, a door, a key - finding, at last, a `happiness of the hand and heart'.
Magisterial in its command and range, indelibly moving and memorable in its speech, Hill of Doors is Robin Robertson's most powerful book to date.