Muslims in the Western Imagination explores the ways in which Muslim men are depicted as monsters throughout history.
Monsters help a society delineate who belongs in a social group and who, or what, is excluded.
Even when Muslim monsters are symbolic, as in post-9/11 zombie films, they still function to define Muslims as non-human entities.
These are not portrayals of Muslim men as malevolent human characters, but rather as creatures that occupy theimagination-non-humans that exhibit their wickedness outwardly on the skin.
They populate medieval tales, Renaissance paintings, Shakespearean dramas, Gothic horror novels, and Hollywood films.
Through an exhaustive survey of medieval, early modern, and contemporary literature, art, and cinema, Sophia Rose Arjanaexamines the dehumanizing ways in which Muslim men have been constructed and represented as monsters, and the impact such representations have on perceptions of Muslims.
The study is the first to present a Foucauldian genealogy of these creatures, from the demons and giants of the Middle Ages to the hunchbacks with filed teeth that appeared in the 2006 film 300.
The book argues that constructions of Muslim monsters constitute a recurring theme, first formulated in medieval Christian anti-Semitism.
Arjana shows how Muslim monsters are often related to Jewish monsters, and more broadly to Christian anti-Semitism, which involves both religious bigotry andfears surrounding bodily differences.
Like the Jewish monster, the Muslim monster is not simply a product of religious bigotry, but of anxiety surrounding bodily difference.
Overall, Arjana argues persuasively, these dehumanizing constructions deeply embedded in Western consciousness are internalized beliefsand practices that contribute to the culture of violence-both rhetorical and bodily- against Muslims.