Late for Tea at the Deer Palace : The Lost Dreams of My Iraqi Family Hardback
A lyrical, haunting, multi-generational memoir of one family's tempestuous century in Iraq from 1900 to the present.The Chalabis are one of the oldest and most prominent families in Iraq.
For centuries they have occupied positions of honour and responsibility, loyally serving first the Ottoman Empire and, later, the national government.In `Late for Tea at the Deer Palace', Tamara Chalabi explores the dramatic story of her extraordinary family's history in this beautiful, passionate and troubled land.
From the grand opulence of her great-grandfather's house and the birth of the modern state, through to the elegant Iraq of her grandmother Bibi, who lived the life of a queen in Baghdad, and finally to her own story, that of the ex-pat daughter of a family in exile, Chalabi takes us on an unforgettable and eye-opening journey.This is the story of a lost homeland, whose turbulent transformations over the twentieth century left gaping wounds at the hearts not only of the family it exiled, but also of the elegant, sophisticated world it once represented.
When Tamara visited her once-beautiful ancestral land for the first time in 2003, she found a country she didn't recognize - and a nation on the brink of a terrifying and uncertain new beginning.Lyrical and unique, this exquisite multi-generational memoir brings together east and west, the poetic and the political as it brings to life a land of beauty and grace that has been all but lost behind recent headlines.
- Format: Hardback
- Pages: 448 pages, 30 b/w plates, Index
- Publisher: HarperCollins Publishers
- Publication Date: 05/08/2010
- Category: Memoirs
- ISBN: 9780007249312
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- Paperback from £7.15
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Review by whitreidtan
So often what we learn from the nightly news is generic or impersonal. Even the human interest stories they show only touch the surface of complex situations. So when a memoir comes along to expand on our knowledge of historic and recent events, it is invaluable. Of course, a memoir by definition takes only one perspective and so has an inherent bias in its recounting. In this case, Tamara Chalabi a Lebanese-Iraqi, daughter of Ahmad Chalabi, one of the sources of perhaps questionable intelligence that led to the the American invasion in Iraq, writes a heartfelt and moving history of her family, their life in Iraq, and their subsequent exile from the country they loved.Starting back in the early nineteen-teens, Chalabi opens the multi-generational tale of her influential and politically important family by introducing her great-grandfather, grandfather Hadi, and soon-to-be grandmother Bibi. She weaves the external happenings in the area that is soon to become the country of Iraq with the major personal events occurring in her wealthy family. Using the memories of her elderly relatives and what she remembers from her formidable grandmother, she constructs a tale of an elite family, political insiders despite their Shi'a religious identification in a country ruled by the Sunni, a family whose personal history is inextricably intertwined with the complex history of this troubled Middle Eastern country from its time as a part of the Ottoman Empire to its birth as an independent country mentored by the British and on through to its recent turbulent and violent history under Saddam Hussein and beyond.This is neither dry history nor completely undocumented family memoir. Chalabi's family held governmental positions in most incarnations of Iraq's government until the coup d'etat that resulted in the deaths of everyone in the royal family. The men in the family earned immense wealth and had the ears of those who held the reins of power. The women, whose lives were more proscribed due to their religious beliefs and cultural mores, ruled the domestic sphere and contributed to their husbands' successes, especially Chalabi's diminutive, whirlwind grandmother Bibi who is a major presence throughout the bulk of the story. The bulk of the tale centers around the unrest and turmoil of the first half of the twentieth century around Bhagdad, laying the groundwork and explaining the reasons that the situation today exists. Chalabi tries to be evenhanded in her criticisms of the West's dealings in the area but there are times when her anger towards Britain and the US seeps through. The weaving of the personal, the political and their extreme interconnectedness is done quite well, keeping the reader's attention through each narrative shift. The end of the book and the current lives of the Chalabis, especially Tamara's father Ahmad, feels much more rushed than the rest of the story though. It is possible to feel the nostalgia and yearning for a vanished time and place when Chalabi writes of the older generations but the feelings of exile are less complete when she tackles her own and her cousins' similar but confused feelings. And perhaps this would always hold true of a generation not born in country but it is a marked contrast and a definite weakness compared to the strength of feeling of previous generations. A look into a misunderstood area of the world through the eyes of one of its own, although certainly not an unbiased telling, an insightful one indeed.