Injustice: Gods Among Us Volume 1 HC Hardback
by Tom Taylor
From the makers of Mortal Kombat comes the critically acclaimedprequel comic to the smash-hit fighting game, Injustice: Gods Among Us!Things in the DC Universe have changed after Superman is tricked into destroyingthe one thing he loves the most.
Now unwilling to let crime go unpunished, theheroes of our world must choose if they are with Superman - or againsthim!
But not every country will submit to his new world order and neither willSuperman's greatest threat - Batman!Collects #1-5 of Injustice: Gods Among Us.
- Format: Hardback
- Pages: 176 pages
- Publisher: DC Comics
- Publication Date: 15/11/2013
- Category: Superheroes
- ISBN: 9781401245009
- Hardback from £14.69
Showing 1 - 3 of 3 reviews.
Review by DanieXJ
The TPB that were based on the Arkham City video game have been pretty good, and so I wanted to try this one. I wasn’t let down at all, and, in fact, I think that I liked this prequel to the game of the same name, a bit better than the Arkham City prequel to that game.The basic plot is that the Joker takes Lois Lane (because, really, why doesn’t every super villain who goes against Superman do this at the very beginning?) and the Metropolis and Lois die. Then, the Joker dies, and then the story of Superman going quite off his rails starts. It’s the story of who follows him and who doesn’t, it’s a story of what superheroes should do with their powers, how he or she should see other countries, borders, and especially how superheroes should look at laws.I liked a ton about this, although from some of the other reviews I've seen, apparently I'm in the minority. (Hey, I almost gave it a full extra star because it had a Kraken in it). Wonder Woman was also very Xena like in this TPB, she even talked to Ares in much the same way that Xena talked to Ares on her TV show. It was a weird little thing that I noticed. I think that it would be really cool for there to be a second volume in this title, but, I also understand that where this TPB ends is probably where the game actually starts (and since I don’t have any of the consoles to play the game, I can’t actually play the game. Still, if another TPB comes out it would be great to read).I got this advanced galley through Netgalley on behalf of DC Entertainment.
Review by TStarnes
This story starts with a flash of the future, a perfect world where there is no war, no conflict and yet Batman is still not happy because the price of that peace was too high. Back in the present we see Superman and Lois are so happy because she is pregnant and when Superman meets Batman later in the day his joy is overflowing.While that happiness lasts a single night as Lois is kidnapped, rigged to a bomb and left for Superman to find. Calling in the whole JLA for help, Superman is directed towards a submarine where she is being held, but as he breaks in he is gassed by Scarecrow and all he can see is Doomsday. Grabbing is nemesis he flies them both out of the atmosphere only to get a message from Bruce telling him it was a trap from the Joker, and Superman’s entire world falls apart.At the death of his city and his wife, Superman enlists the JLA as he seeks to prevent the deaths of any innocent anywhere in the world, be that Afghanistan or the USA, Dictators commands, or Presidents orders. However which of the JLA will join him, and will any actively oppose him?One issue that becomes immediately apparent when reading this comic is the artwork. I know I have a preview review copy which helpfully states that it may contain uncorrected proofs, but I cannot see this as being markedly different to how it will go out. All the art in this comic looks out of focus; it is a very weird sensation when reading it. The text boxes and speech bubbles are neat and perfectly sharp, but all the art behind looks like a picture waiting to come into focus. It is real shame because the art at a quick glance looks fantastic, but the more you try to look at it the more you realise that it is not going to get any sharper. If this had been a reprint of a much older comic then I could understand it, but it is less than a year old so that offers no explanations.This is not a perfect comic, it asks quite a few questions that it never answers. One question is; did it really just end that abruptly? Many comics end on a cliff-hanger I know, but this one simply ends mid action sequence with no indication it is coming. I am used to this sort of ending happening with a big splash page, something to let you know that this section is ending and to look out for the next, but this feels like someone simply turned the TV off in the middle of the film. It also asks some very silly questions such as; how does Superman shave? I personally always assumed that he simply did not grow a beard, but according to this comic he does, but it makes me question if he has some sort of high powered laser or a kryptonite Revlon because no steel blade is going to cut those invulnerable hairs.What the comic does do well is show the likely outcome of giving a good person ultimate power. It is very similar to those points in Lord of the Rings where Frodo offers the One Ring to Gandalf and Galadriel and you get a moment, a brief echo, of what they would be like with that power to do good and no restraint. Well we have more than an echo here. Shorn of responsibility and compassion this is Superman unchained and unrestricted and I can only assume that in later volumes he simply falls further down this rabbit hole. But it is for me Wonder Woman who steals the comic. While Superman has fallen dramatically, he at least has a reason for his fall. She however has no such motivation other than what appears to be a lust for both power and Superman himself which I hope are more developed as this comic series progresses.
Review by rivkat
Apparently this is related to a video game? Anyhow, reasonably standard setup, at least for a Smallville fan: when the Joker destroys Metropolis and kills a pregnant Lois Lane, Superman decides to impose a worldwide peace. Of course Batman disagrees. Wonder Woman sides with Superman, and her characterization is at best debatable, especially as the story continues and it can be read as lovesick/manipulative. Nonetheless, I liked the execution overall, though I reserve the right to change my mind if WW continues in a bad direction. Tthe art is pretty much the characters how I like them, especially WW, and Aquaman takes a very understandable position when his actions against whalers bring him into conflict with the newly reconstituted Justice League. I’m not very familiar with him, but here he is a BAMF. Best grace note: taking his leave at Wayne Manor, Superman says, “and you don’t have to call me ‘master.’” And Alfred responds: “Good. Let’s remember that.” Second best: Superman revokes Batman’s access to the JL communicators. Guess how well that works? Okay, fine, everything the Batfamily does here is of the good. (Nightwing: “I mean, you may think silence illustrates your point but it’s also just kind of douchey…. Now, let’s go defend a bunch of horrible murderers from the world’s greatest heroes.”) Though, um, not everything that happens to the Batfamily is of the good.