Following the Score : The Ravel Trilogy
Michael (University of Lincoln) Pinchbeck
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Audience Participation in Theatre : Aesthetics of the Invitation
G. White
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Directing Scenes and Senses : The Thinking of Regie
Peter Boenisch
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New Media Dramaturgy : Performance, Media and New-Materialism
Peter Eckersall
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Performance Costume : New Perspectives and Methods
Professor Sofia (Aalto University, Finland) Pantouvaki
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Ivo van Hove : From Shakespeare to David Bowie
Professor Sonia (Sapienza, University of Rome, Italy, and King Massai
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Street Theatre and the Production of Postindustrial Space : Working Memories
David Calder
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Lightwork : Texts on and from Collaborative Multimedia Theatre
Alex (Guildhall School of Music and Drama) Mermikides
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Performance, Trauma and Puerto Rico in Musical Theatre
Colleen Rua
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Intimacy Directing for Theatre : Creating a Culture of Consent in the Classroom and Beyond
. Ayshia Mackie-Stephenson
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The Players' Advice to Hamlet : The Rhetorical Acting Method from the Renaissance to the Enlightenment
David (University of Exeter) Wiles
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Dramaturgy in the Making : A User's Guide for Theatre Practitioners
Katalin Trencsenyi
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Brazilian Collaborative Theater : Interviews with Directors, Performers and Choreographers
Aleksandar Sasha Dundjerovic
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Screen Plays : Theatre Plays on British Television
Amanda Wrigley
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Devised Theater’s Collaborative Performance : Making Masterpieces from Collective Concepts
Telory D Arendell
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The Art of Knife Fighting for Stage and Screen : An Actor’s and Director’s Guide to Staged Violence
Erick Vaughn Wolfe
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The Beginner’s Guide to Opera Stage Management : Gathering the Tools You Need to Work in Opera
Danielle Ranno
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The Uncapturable : The Fleeting Art of Theatre
Ruben Szuchmacher
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Staging Shakespeare : A Director's Guide to Preparing a Production
Brian Kulick
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How to Direct Shakespeare
Adrian Noble
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Notes from the Rehearsal Room : A Director’s Process
Nancy Meckler
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Foucault’S Theatres
Tony Fisher
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The Moving Body (Le Corps Poetique) : Teaching Creative Theatre
Jacques Lecoq
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Shakespeare and Costume in Practice
Bridget Escolme
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