Xala
James S. (Royal Holloway, University of London, UK) Williams
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Realist Film Theory and Bicycle Thieves
Hilary (University of Vermont, USA) Neroni
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Add to BasketKore-eda Hirokazu
Marc Yamada
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Add to BasketThe Cavalry Trilogy : John Ford, John Wayne, and the Making of Three Classic Westerns
Michael F. Blake
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Describing Cinema
Timothy (Professor Emeritus of Cinema and Media Studies, Pro Corrigan
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The Nabokov Effect : Reading in the Endgame
Sigi Jottkandt
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States of Danger and Deceit : The European Political Thriller in the 1970s
Rachel Hayward
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Robert Lepage's Original Stage Productions : Making Theatre Global
Karen Fricker
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The Motorcycle Diaries : Youth, Travel and Politics in Latin America
Nadia (KU Leuven, Belgium) Lie
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Charlie Chaplin’s Modern Times : The Work of Life in the Age of Mechanical Reproducibility
Carl Peters
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Arab World Cinemas : A Reader and Guide
Marl? Hammond
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Add to BasketReanimated : The Contemporary American Horror Remake
Laura Mee
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Looking Beyond Neoliberalism : French and Belgian Cinema Post-2008
Martin O'Shaughnessy
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Hollywood Remakes of Iconic British Films : Class, Gender and Stardom
Agnieszka Rasmus
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Norwegian Nightmares : The Horror Cinema of a Nordic Country
Christer Bakke Andresen
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Film, Hot War Traces and Cold War Spaces
Maurizio Cinquegrani
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Superhero Blockbusters : Seriality and Politics
Felix Brinker
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Add to BasketRefocus: The Films of Lucrecia Martel
Natalia Christofoletti Barrenha
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Add to BasketDerivative Images : Financial Derivatives in French Film, Literature and Thought
Calum Watt
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Add to BasketMain Melody Films : Hong Kong Directors in Mainland China
Stephen Yiu-Wai Chu
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Add to BasketDeanna Durbin, Judy Garland, and the Golden Age of Hollywood
Melanie Gall
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