Story
Robert Mckee
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Semiotics for Screenwriters : Break Down Your Favorite Movies Then Write Your Own
Michael (East Carolina University, USA) Tierno
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A Guide to Post-classical Narration : The Future of Film Storytelling
Dr. Eleftheria (Aristotle University of Thessaloniki, Greece Thanouli
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The Art of the Filmmaker : The Practical Aesthetics of the Screen
Peter Markham
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James Bond Will Return : Critical Perspectives on the 007 Film Franchise
Claire Hines
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Sculpting in Time : Reflections on the Cinema
Andrey Tarkovsky
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Anime : A History
Jonathan (Author/Scriptwriter, UK) Clements
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The Richard Dyer Reader
Glyn (University of St Andrews, UK) Davis
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The Story of Victorian Film
Bryony (British Film Institute, UK) Dixon
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Thinking Film : Philosophy at the Movies
Professor Richard Kearney
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Resisting James Bond : Power and Privilege in the Daniel Craig Era
Christoph (University College London, UK) Lindner
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Curating the Moving Image
Mark Nash
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What Film Is Good For : On the Values of Spectatorship
Prof. Julian Hanich
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On Kubrick : Revised Edition
James Naremore
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The Cinema of Barbara Stanwyck : Twenty-Six Short Essays on a Working Star
Catherine Russell
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African Cinema: Manifesto and Practice for Cultural Decolonization : Volume 1: Colonial Antecedents, Constituents, Theory, and Articulations
Michael T. Martin
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The Money Behind the Screen : A History of British Film Finance, 19451985
James Chapman
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Material Media-Making in the Digital Age
Daniel (RMIT University, Australia) Binns
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Ulrike Ottinger : Film, Art and the Ethnographic Imagination
Prof. Angela McRobbie
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Liberating Shakespeare : Adaptation and Empowerment for Young Adult Audiences
Dr Jennifer Flaherty
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The Value Gap : Female-Driven Films from Pitch to Premiere
Courtney Brannon Donoghue
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Poltergeist
Rob McLaughlin
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Cinema Memories : A People's History of Cinema-going in 1960s Britain
Melvyn (University College London, UK) Stokes
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