Why Beethoven : A Phenomenon in 100 Pieces
Norman Lebrecht
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Said on Opera
Edward (c/o The Wylie Agency) Said
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Screening the Operatic Stage : Television and Beyond
Christopher Morris
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The Cambridge Companion to The Magic Flute
Jessica (College of the Holy Cross, Massachusetts) Waldoff
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Picture a day like this (Limited Edition Full Score)
George Benjamin
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Do I Bark Like a Dog? : How an Italian Family History Shaped a Boy in London
Michael Volpe
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Picture a day like this (First Edition Vocal Score)
George Benjamin
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Music, the Market, and the Marvellous : Parisian Feerie, 1864-1900
Tommaso (Marie Sklodowska-Curie Global Postdoctoral Fellow, Sabbatini
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The Choice of Odysseus : Homeric Ethics in Renaissance Epic and Opera
Dr Sarah (Indiana University) Van der Laan
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Women in Nineteenth-Century Czech Musical Culture : Apostles of a Brighter Future
Anja Bunzel
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Women in Nineteenth-Century Czech Musical Culture : Apostles of a Brighter Future
Anja Bunzel
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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Representing Rome's Emperors : Homeric Ethics in Renaissance Epic and Opera
Sarah Van der Laan
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Chinese Street Opera in Singapore
Lee Tong Soon Lee
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Screening the Operatic Stage : Television and Beyond
Christopher Morris
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Said on Opera
Edward (c/o The Wylie Agency) Said
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Latin America and the Transports of Opera : Fragments of a Transatlantic Discourse
Roberto Ignacio Diaz
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Latin America and the Transports of Opera : Fragments of a Transatlantic Discourse
Roberto Ignacio Diaz
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£86.00
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