Lateness and Brahms : Music and Culture in the Twilight of Viennese Liberalism
Margaret Notley
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The Critical Nexus : Tone-System, Mode, and Notation in Early Medieval Music
Charles M. Atkinson
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Josquin's Rome : Hearing and Composing in the Sistine Chapel
Jesse Rodin
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Conceptualizing Music : Cognitive Structure, Theory, and Analysis
Lawrence M. Zbikowski
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What Else Can I Play? Piano Grade 4
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Africa Speaks, America Answers : Modern Jazz in Revolutionary Times
Kelley Robin D. G. Kelley
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Music Learning Today : Digital Pedagogy for Creating, Performing, and Responding to Music
William I. Bauer
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A Short History Of The Shadow
Victor I. Stoichita
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Multicampus University Systems : Africa and the Kenyan Experience
Ishmael I. Munene
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Contradictory Lives : Baul Women in India and Bangladesh
Lisa I. Knight
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Movies and Midrash : Popular Film and Jewish Religious Conversation
Wendy I. Zierler
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The Chamber Organ in Britain, 1600-1830
Michael I. Wilson
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Johannes Brahms, sa vie et son Oeuvre : Sa vie et son Oeuvre
Hugues I Imbert de Moulins-Engilbert
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Shared Listenings : Methods for Transcultural Musicianship and Research
Stefan (Lulea Tekniska Universitet, Sweden) Ostersjo
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Shared Listenings : Methods for Transcultural Musicianship and Research
Stefan (Lulea Tekniska Universitet, Sweden) Ostersjo
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Ixora coccinea L. : экстракты и гидроспиртовые ф&#
Гуl Евертон
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Inventing the Business of Opera : The Impresario and His World in Seventeenth Century Venice
Beth Glixon
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Conceptualizing Music : Cognitive structure, theory, and analysis
Lawrence M. (Associate Professor of Music, Associate Profes Zbikowski
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The Critical Nexus : Tone-System, Mode, and Notation in Early Medieval Music
Charles M. (University Distinguished Professor of Musicology Atkinson
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Tent Show : Arthur Names and His ""Famous"" Players
Donald W. Whisenhunt (Professor of History, Western Washington U USA)
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Inventing the Business of Opera : The Impresario and His World in Seventeenth Century Venice
Beth Glixon
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Music, Criticism, and the Challenge of History : Shaping Modern Musical Thought in Late Nineteenth-Century Vienna
Kevin (, Emory University) Karnes
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Changing the Score : Arias, Prima Donnas, and the Authority of Performance
Hilary (Professor of Music, Professor of Music, Northeastern U Poriss
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