Grand Illusion : Phantasmagoria in Nineteenth-Century Opera
Gabriela Cruz
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The Devil's Music : How Christians Inspired, Condemned, and Embraced Rock 'n' Roll
Stephens Randall J. Stephens
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Messiaen Perspectives 2: Techniques, Influence and Reception
Robert Fallon
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The German «Lied» after Hugo Wolf : From Hans Pfitzner to Anton Webern
Brown Lesley-Ann Brown
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Musical Identities and European Perspective : An Interdisciplinary Approach
Perkovic Ivana Perkovic
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Musical Romania and the Neighbouring Cultures : Traditions - Influences - Identities- Proceedings of the International Musicological Conference- July 4-7 2013, Iasi (Romania)
Vasiliu Laura Vasiliu
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Sounds as They Are : The unwritten music in classical recordings
Richard Beaudoin
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Sounds as They Are : The unwritten music in classical recordings
Richard Beaudoin
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Literature and the Arts : Interdisciplinary Essays in Memory of James Anderson Winn
Battigelli Anna Battigelli
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Parisian Intersections : Baudelaire's Legacy to Composers
Abbott Helen Abbott
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Making Sense of Recordings : How Cognitive Processing of Recorded Sound Works
Mads Walther-Hansen
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Erard : A Passion for the Piano
Robert Adelson
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Ferruccio Busoni as Architect of Sound
Erinn E. Knyt
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Ferruccio Busoni as Architect of Sound
Erinn E. Knyt
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Representing Russia's Orient : From Ethnography to Art Song
Adalyat Issiyeva
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Representing Russia's Orient : From Ethnography to Art Song
Adalyat Issiyeva
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Opera After the Zero Hour : The Problem of Tradition and the Possibility of Renewal in Postwar West Germany
Emily Richmond Pollock
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Opera After the Zero Hour : The Problem of Tradition and the Possibility of Renewal in Postwar West Germany
Emily Richmond Pollock
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Sounding Jewish in Berlin : Klezmer Music and the Contemporary City
Phil Alexander
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Sounding Jewish in Berlin : Klezmer Music and the Contemporary City
Phil Alexander
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Composing the World : Harmony in the Medieval Platonic Cosmos
Andrew Hicks
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