From Modes to Keys in Early Modern Music Theory
Michael R. Dodds
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The Motet in the Late Middle Ages
Margaret Bent
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Representing Rome's Emperors : Homeric Ethics in Renaissance Epic and Opera
Sarah Van der Laan
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Opera, Tragedy, and Neighbouring Forms from Corneille to Calzabigi
Blair Hoxby
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Opera, Tragedy, and Neighbouring Forms from Corneille to Calzabigi
Blair Hoxby
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Vaughan Williams in Context
Julian (West Chester University, Pennsylvania) Onderdonk
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Wagner in Context
David (University of Cambridge) Trippett
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Leonard Bernstein in Context
Elizabeth A. Wells
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Lied at the Crossroads of Performance and Musicology
Benjamin Binder
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Lied at the Crossroads of Performance and Musicology
Benjamin Binder
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Bartok's Viola Concerto : The Remarkable Story of His Swansong
Donald Maurice
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Analyzing Classical Form : An Approach for the Classroom
William E. Caplin
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Clara Schumann : The Artist and the Woman
Nancy Reich
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Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition
David Beach
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From Paris to Peoria : How European Piano Virtuosos Brought Classical Music to the American Heartland
R. Allen Lott
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Musimathics : The Mathematical Foundations of Music
Gareth Loy
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The Art of Partimento : History, Theory, and Practice
Giorgio Sanguinetti
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Dmitri Shostakovich Catalogue : The First Hundred Years and Beyond
Derek C. Hulme
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The Cantatas of J. S. Bach : With their librettos in German-English parallel text
Alfred Durr
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Composing Dissent : Avant-garde Music in 1960s Amsterdam
Robert Adlington
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