Monteverdi and the Marvellous : Poetry, Sound, and Representation
Roseen (Duke University, North Carolina) Giles
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Music and the Making of Medieval Venice
Jamie L. (Princeton University, New Jersey) Reuland
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Beethoven's Theatrical Quartets : Opp. 59, 74 and 95
Nancy (University of Auckland) November
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Mozart's Requiem : Reception, Work, Completion
Simon P. (University of Sheffield) Keefe
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Mozart's Requiem : Reception, Work, Completion
Simon P. (University of Sheffield) Keefe
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Interwar Symphonies and the Imagination : Politics, Identity, and the Sound of 1933
Emily (King's College London) MacGregor
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Interwar Symphonies and the Imagination : Politics, Identity, and the Sound of 1933
Emily MacGregor
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Schubert's String Quartets : The Teleology of Lyric Form
Anne Hyland
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Schubert's String Quartets : The Teleology of Lyric Form
Anne (University of Manchester) Hyland
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Olivier Messiaen's Catalogue d'oiseaux : From Conception to Performance
Roderick (Royal Academy of Music, London) Chadwick
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Musical Modernism in Global Perspective : Entangled Histories on a Shared Planet
Bjorn (University of Glasgow) Heile
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The Quilting Points of Musical Modernism : Revolution, Reaction, and William Walton
J. P. E. (Royal Holloway, University of London) Harper-Scott
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Olivier Messiaen's Catalogue d'oiseaux : From Conception to Performance
Roderick (Royal Academy of Music, London) Chadwick
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Frauenliebe und Leben : Chamisso's Poems and Schumann's Songs
Rufus (Rutgers University, New Jersey) Hallmark
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Beethoven's Theatrical Quartets : Opp. 59, 74 and 95
Nancy (University of Auckland) November
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The Monstrous New Art : Divided Forms in the Late Medieval Motet
Anna (Yale University, Connecticut) Zayaruznaya
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The Requiem of Tomas Luis de Victoria (1603)
Owen (University of Oxford) Rees
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Add to BasketManuscripts and Medieval Song : Inscription, Performance, Context
Helen (Royal Holloway, University of London) Deeming
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Manuscripts and Medieval Song : Inscription, Performance, Context
Helen (Royal Holloway, University of London) Deeming
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The Requiem of Tomas Luis de Victoria (1603)
Owen (University of Oxford) Rees
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Polyphony in Medieval Paris : The Art of Composing with Plainchant
Catherine A. (Universitetet i Oslo) Bradley
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