The Figurative Works of Chen Hongshou (1599–1652) : Authentic Voices/Expanding Markets
Tamara Heimarck Bentley
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Pieter Bruegel and the Culture of the Early Modern Dinner Party
Claudia Goldstein
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Altarpieces and Their Viewers in the Churches of Rome from Caravaggio to Guido Reni
Pamela M. Jones
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Leone Leoni and the Status of the Artist at the End of the Renaissance
Kelley Helmstutler Di Dio
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Reframing Albrecht Durer : The Appropriation of Art, 1528–1700
Andrea Bubenik
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Caravaggio : Reflections and Refractions
Lorenzo Pericolo
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The Cult of St Clare of Assisi in Early Modern Italy
Nirit Ben-Aryeh Debby
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Seventeenth-Century Flemish Garland Paintings : Still Life, Vision, and the Devotional Image
Susan Merriam
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Beholding Violence in Medieval and Early Modern Europe
Allie Terry-Fritsch
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Siting Federico Barocci and the Renaissance Aesthetic
Peter Gillgren
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The Viewer and the Printed Image in Late Medieval Europe
David S. Areford
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Pieter Bruegel the Elder : Art Discourse in the Sixteenth-Century Netherlands
Todd M. Richardson
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Erotic Cultures of Renaissance Italy
Sara F. Matthews-Grieco
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Writing Fashion in Early Modern Italy : From Sprezzatura to Satire
Eugenia Paulicelli
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The Early Modern Italian Domestic Interior, 1400–1700 : Objects, Spaces, Domesticities
Erin J. Campbell
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Sex Acts in Early Modern Italy : Practice, Performance, Perversion, Punishment
Allison Levy
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Art and the Relic Cult of St. Antoninus in Renaissance Florence
Sally J. Cornelison
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Rethinking the High Renaissance : The Culture of the Visual Arts in Early Sixteenth-Century Rome
Jill Burke
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The Late Paintings of Velazquez : Theorizing Painterly Performance
Giles Knox
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Titian, Colonna and the Renaissance Science of Procreation : Equicola's Seasons of Desire
Anthony Colantuono
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Art, Piety and Destruction in the Christian West, 1500–1700
Virginia Chieffo Raguin
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Flemish and Dutch Artists in Early Modern England : Collaboration and Competition, 1460-1680
Mary Bryan H. Curd
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Sense and the Senses in Early Modern Art and Cultural Practice
Alice E. Sanger
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