Please note: In order to keep Hive up to date and provide users with the best features, we are no longer able to fully support Internet Explorer. The site is still available to you, however some sections of the site may appear broken. We would encourage you to move to a more modern browser like Firefox, Edge or Chrome in order to experience the site fully.

Women and Visual Replication in Roman Imperial Art and Culture, Hardback Book

Women and Visual Replication in Roman Imperial Art and Culture Hardback

Part of the Greek Culture in the Roman World series

Hardback

Description

Why did Roman portrait statues, famed for their individuality, repeatedly employ the same body forms?

The complex issue of the Roman copying of Greek 'originals' has so far been studied primarily from a formal and aesthetic viewpoint.

Jennifer Trimble takes a broader perspective, considering archaeological, social historical and economic factors, and examines how these statues were made, bought and seen.

To understand how Roman visual replication worked, Trimble focuses on the 'Large Herculaneum Woman' statue type, a draped female body particularly common in the second century CE and surviving in about two hundred examples, to assess how sameness helped to communicate a woman's social identity.

She demonstrates how visual replication in the Roman Empire thus emerged as a means of constructing social power and articulating dynamic tensions between empire and individual localities.

Information

£102.00

 
Free Home Delivery

on all orders

 
Pick up orders

from local bookshops

Information