Please note: In order to keep Hive up to date and provide users with the best features, we are no longer able to fully support Internet Explorer. The site is still available to you, however some sections of the site may appear broken. We would encourage you to move to a more modern browser like Firefox, Edge or Chrome in order to experience the site fully.

Shakespeare and the Modern Dramatist, PDF eBook

Shakespeare and the Modern Dramatist PDF

Part of the Contemporary Interpretations of Shakespeare series

PDF

Please note: eBooks can only be purchased with a UK issued credit card and all our eBooks (ePub and PDF) are DRM protected.

Description

Theatre has never been afraid to adapt, rewrite and contemporize Shakespeare's drama since theatre by definition is a living medium involving a corporate creativity.

Shakespeare himself rewrote or adapted old plays and stories and since writing his dramas have experienced many transformations.

Recent dramatists following this age-old tradition have rewritten some of Shakespeare's plays for the contemporary stage or modelled their drama on formulations used by him.

Michael Scott examines a selection of such plays written in the last forty years.

Some, such as Samuel Beckett's Waiting for Godot or Tom Stoppard's Rosencrantz & Guildenstern are Dead have become famed.

Others such as Ionesco's Macbett are less well known but are no less signficant.

Edward Bond's Lear, Arnold Wesker's The Merchant and Charles Marowitz's Collages represent an attempt by some modern dramatists to challenge a particular ideology which appears to have appropriated Shakespeare to itself.

The book concludes with an examination of some recent trends in Shakespearean production, particularly by the Royal Shakespeare Company.

Information

Information