Patrick O'Brian : The Making of the Novelist Paperback
The defintive account of the early life of the revered author of the Aubrey-Maturin novels including Master and Commander.
To many, Patrick O'Brian was the greatest British novelist of the Twentieth Century.
The twenty volumes of the series set in the Royal Navy of the beginning of the Nineteenth Century and featuring Aubrey and Maturin have been hailed as 'the best historical novels ever written' by the New York Times.
Nikolai Tolstoy was O'Brian's stepson and his acquaintanceship with him lasted forty-five years during most of O'Brian's marriage to Mary Tolstoy, Nikolai's mother.
Tolstoy stayed with the couple regularly at their French home and was a frequent correspondent with the reclusive and secretive author, discovering facets of his character and creative genius that he showed to no one else.
He has unique access to letters, notebooks and photographs, which will appear in this book.
This volume tells the story of O'Brian's life up to his decision to move to Collioure in the South of France. His oppressed childhood, his precocious writing success, his first visit to Ireland, his sailing experiences as a young man, and the truth behind his first marriage, divorce and name change are all dealt with.
This is the first part of the definitive biography of one of our literary geniuses.
- Format: Paperback
- Pages: 544 pages, Illustrations, ports.
- Publisher: Cornerstone
- Publication Date: 06/10/2005
- Category: Biography: general
- ISBN: 9780099415848
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Review by dazzyj
A brave but ultimately doomed attempt to describe O'Brian's early years in such a way as to explain what he became. Written by a step-son biased in the subject's favour, the book adds some centrally important details to the still-sketchy story of the novelist's early life, most crucially the fact that he left his first wife because of the affair he was already conducting with his soon-to be second wife (the author's mother, Mary). But Tolstoi's account relies too heavily on speculation based on O'Brian's fiction, and in the end calls to be skimmed through to get to the nub of what it has to say.