The House Girl, the historical fiction debut by Tara Conklin, is an unforgettable story of love, history, and a search for justice, set in modern-day New York and 1852 Virginia. Weaving together the story of an escaped slave in the pre-Civil War South and a determined junior lawyer, The House Girl follows Lina Sparrow as she looks for an appropriate lead plaintiff in a lawsuit seeking compensation for families of slaves.
In her research, she learns about Lu Anne Bell, a renowned prewar artist whose famous works might have actually been painted by her slave, Josephine. Featuring two remarkable, unforgettable heroines, Tara Conklin's The House Girl is riveting and powerful, literary fiction at its very best.
- Format: Paperback
- Pages: 400 pages
- Publisher: HarperCollins Publishers Inc
- Publication Date: 13/03/2014
- Category: Modern & contemporary fiction (post c 1945)
- ISBN: 9780062207517
Showing 1 - 5 of 17 reviews.
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Review by beckyhaase
THE HOUSE GIRL by Tara ConklinJosephine is a 17 year old slave in anti-bellum Virginia while Lina is a twenty something up and coming lawyer in present day NYC. The lives of these two become entwined when a wealthy Black client of Lina’s law firm starts a “slave reparations” law suit that becomes entangled with an art dealer’s contention that Josephine is the true artist and not her widely acclaimed mistress. Both life in a high powered law firm and life in the slave owning South are presented believably. Lina and Josephine are both sympathetic and well-drawn characters. The story line for both is engaging. While the sub plot involving Lina’s mother is rather thin and too neatly concluded, the artistic element is a link for the two stories.Book groups will have a variety of subjects to discuss; some very superficial and entertaining and others quite serious and profound. Race relations now and then permeate both stories. The question “Who is Caucasian and who is Black?” may form the body of the discussion. The value of a piece of art and how the artist’s name recognition determines price is another point for discussion. Motherless children and how they and their families cope could form another topic.
Review by jmoncton
Review by Coltfan18
Lina is a corporate lawyer and is assigned to find descendants of slaves to get reparation for them. She learns of Josephine, a slave who may be the artist of paintings credited to her owner Lu Anne Bell. This book is their story of the current day research and the past of Josephine's life. Some parts of Josephine's life may be hard to read, but you like her and her spirit. I liked the book and both main characters.
Review by brangwinn
A author who knows their craft can make the unbelievable seem believable. Being able to track artwork to a slave and not the slave owners is an interesting plot. The story moves seamlessly between now when Lisa, a lawyer, is tracking down information to support the right of slaves to work of their ancestors, and the slave who has done the painting. It is a good, satisfying read, and that is what I want from a book.
Review by Schatje
Alternating chapters tell the stories of two women. In 1853, Josephine Bell, a seventeen-year-old slave on a Virginian tobacco plantation, plans her escape to freedom. In New York in 2004, Lina Sparrow, a young attorney, is looking for a good lead plaintiff for a class action suit seeking reparation for the descendants of American slaves. The two stories intersect when Lina hears about a folk artist whose paintings are thought to actually be the work of her house girl Josephine. Lina sets out to do genealogical research to determine if Josephine had any descendants. Josephine’s story - her life and her fierce determination to escape from servitude as a house slave – is compelling. The reader cannot but feel sympathy for her circumstances. Unfortunately, the author’s decision to tell the last part of Josephine’s story using a witness’s letter distances the reader from her and lessens the emotional impact of the narrative. Lina’s story is much less interesting. The reparation case is really far-fetched, and her research is advanced by a series of coincidences that stretch credibility. Just as she seems to reach a dead end, a document lands in her lap which gives clues that have eluded numerous scholars. In the end a letter written by a peripheral character conveniently explains everything. Of course, this crucial document reaches her only at the last minute when an archivist has a change of heart. Lina is not a believable character. She is able to change the minds of the archivist and her candidate for lead plaintiff yet she is totally passive at work and lets her boss walk all over her? She works hard at searching for evidence of Josephine’s descendants, yet she knows virtually nothing about the death of her mother 20 years earlier. Never did she actually conduct a search into her mother though she was an aspiring artist who had received some publicity? The reader is expected to see parallels between Josephine and Lina’s determination, but Lina just comes across as flat next to the house girl. Lina is a naïve, sheltered and unfocused young woman, and her story is bland.The novel would work well as historical fiction if the focus had remained solely on Josephine and her story had been told directly without the inclusion of long missives from witnesses. Removing the Lina narrative would have eliminated most of the many coincidences and a weak character who does not inspire any emotional connection. The adding of the romance element in Lina’s chapters only added to the impression that the author was trying to write a commercial blockbuster which seems to necessitate such an element. This book has strengths but considerable weaknesses. It should have been subjected to considerable revision.
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