The Casting Handbook : For Film and Theatre Makers
Suzy Catliff
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The Operetta Empire : Music Theater in Early Twentieth-Century Vienna
Micaela Baranello
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Book of Sides II: Original, Two-Page Scenes for Actors and Directors
Dave Kost
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The Arden Research Handbook of Contemporary Shakespeare Criticism
Dr Evelyn (University of Nevada, Las Vegas, USA) Gajowski
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Mixing a Musical : Broadway Theatrical Sound Techniques
Shannon Slaton
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The Creative Reflective Practitioner : Research Through Making and Practice
Linda Candy
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Designing with Light : An Introduction to Stage Lighting
J. Michael Gillette
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Practicing Music by Design : Historic Virtuosi on Peak Performance
Christopher (University of South Carolina, USA) Berg
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(Syn)aesthetics : Redefining Visceral Performance
J. Machon
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Acting for Singers : Creating Believable Singing Characters
David F. (, Bay Area Summer Opera Theater Institute) Ostwald
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Live Visuals : History, Theory, Practice
Steve Gibson
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Contemporary British Theatre
T. Shank
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The Performance Arts in Africa : A Reader
Frances Harding
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Stage Management
Lawrence Stern
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Spatial Practices : Modes of Action and Engagement with the City
Melanie (Central Saint Martins, University of the Arts London, U Dodd
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Painting for Performance : A Beginner’s Guide to Great Painted Scenery
Sean O'Skea
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Making Connections : Total Body Integration Through Bartenieff Fundamentals
Peggy Hackney
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Inclusive Arts Practice and Research : A Critical Manifesto
Alice (University of Brighton) Fox
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The Gestures of Participatory Art
Sruti Bala
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Stage Rights! : The Actresses’ Franchise League, Activism and Politics 1908–58
Naomi Paxton
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Management and the Arts
William J. Byrnes
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Marketing Strategy for the Creative and Cultural Industries
Bonita (Lycoming College, USA) Kolb
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The Routledge Companion to African American Theatre and Performance
Kathy Perkins
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Suffocating Mothers : Fantasies of Maternal Origin in Shakespeare's Plays, Hamlet to the Tempest
Janet Adelman
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