Complicit Participation : The Liberal Audience for Theater of Racial Justice
Carrie J. (Professor of English and Women's, Gender, & Sexual Preston
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Shakespeare in the Theatre: Tina Packer
Katharine (College of Staten Island, USA) Goodland
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American Dramatists in the 21st Century : Opening Doors
Christopher (University of East Anglia, UK) Bigsby
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Soviet Theatre during the Thaw : Aesthetics, Politics and Performance
Jesse (University of St Andrews, UK) Gardiner
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Documentary Theatre and Performance
Andy (Guildhall School of Music and Drama, UK) Lavender
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Criticism, Performance, and the Passions in the Eighteenth Century : The Art of Transition
James (University of Newcastle upon Tyne) Harriman-Smith
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Documentary Theatre and Performance
Andy (Guildhall School of Music and Drama, UK) Lavender
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Shakespeare in the Theatre: The Stratford Festival
Dr Christie (Royal Holloway, University of London, UK) Carson
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Mask Making Techniques : Creating 3-D Characters from 2-D Designs for Theatre, Cosplay, Film, and TV
Mary C. (Professor of Costume Design, West Virginia Universit McClung
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The Craft of Screen Acting
Amanda (Royal Central School of Speech and Drama, UK) Brennan
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Performing Disability in Medieval and Early Modern Britain
Mark C. (Department of English Studies at Durham University) Chambers
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Do It Yourself Dramaturgy : 1,001 Questions to Ask Myself Before I Submit my New Play (plus 80 bonus questions on how to have a career as a playwright)
Caroline Russell-King
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Acting Professionally : An Essential Career Guide for the Actor
Professor Robert (University of California, Irvine, USA) Cohen
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Storytelling in Motion : Cinematic Choreography and the Film Musical
Jenny (Assistant Professor, Assistant Professor, Univ Oyallon-Koloski
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Storytelling in Motion : Cinematic Choreography and the Film Musical
Jenny (Assistant Professor, Assistant Professor, Univ Oyallon-Koloski
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Badhai : Hijra-Khwaja Sira-Trans Performance across Borders in South Asia
Adnan (Utrecht University, the Netherlands) Hossain
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Acting Professionally : An Essential Career Guide for the Actor
Professor Robert (University of California, Irvine, USA) Cohen
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Between the Lines : A Philosophy of Theatre
Michael Y. (Associate Professor of English and Affiliated Fac Bennett
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Social Capacity Building through Applied Theatre : Developing Imagination, Emotional and Reflective Skills in the Human Services
Au (Hong Kong Drama/Theatre and Education Forum) Yi-Man
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Fitting and Pattern Alteration : A Multi-Method Approach to the Art of Style Selection, Fitting, and Alteration
Judith (Conselle Institute of Image Management, USA) Rasband
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The Director's Craft : A Handbook for the Theatre
Katie (The Royal National Theatre, UK) Mitchell
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Commedia Dell'Arte: An Actor's Handbook
John (University of Exeter, UK) Rudlin
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