Drawing as a Way of Knowing in Art and Science
Gemma Anderson-Tempini
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A Practical Guide to Stage Lighting
Steven Louis (Lighting Designer; Production Manager; and Stag Shelley
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Live Visuals : History, Theory, Practice
Steve Gibson
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The Architecture of James Stirling and His Partners James Gowan and Michael Wilford : A Study of Architectural Creativity in the Twentieth Century
Geoffrey H. Baker
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Dances with Darwin, 1875-1910 : Vernacular Modernity in France
Rae Beth Gordon
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Art and Design Pedagogy in Higher Education : Knowledge, Values and Ambiguity in the Creative Curriculum
Susan (University of the Arts London, UK) Orr
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The Paris Zone : A Cultural History, 1840-1944
James Cannon
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Francesca Woodman's Dark Gaze : The Diazotypes and Other Late Works
Claire Raymond
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Henry Van de Velde : Selected Essays, 1889-1914
Henry Van De Velde
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Contemplating Art : Essays in Aesthetics
Jerrold (Distinguished Professor of Philosophy, University o Levinson
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Music and the Myth of Wholeness : Toward a New Aesthetic Paradigm
Tim Hodgkinson
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Material Noise : Reading Theory as Artist's Book
Anne M. Royston
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Roald Hoffmann on the Philosophy, Art, and Science of Chemistry
Jeffrey Kovac
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Criticizing Photographs : An Introduction to Understanding Images
Terry Barrett
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Disability and Art History from Antiquity to the Twenty-First Century
Ann Millett-Gallant
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Outlooks : Lesbian and Gay Sexualities and Visual Cultures
Peter Horne
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Technologies of the Self-Portrait : Identity, Presence and the Construction of the Subject(s) in Twentieth and Twenty-First Century Art
Gabriella Giannachi
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The Cobra Movement in Postwar Europe : Reanimating Art
Karen Kurczynski
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Curating Dramaturgies : How Dramaturgy and Curating are Intersecting in the Contemporary Arts
Peter Eckersall
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Theories of Art : 2. From Winckelmann to Baudelaire
Moshe Barasch
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