What We Do Is Secret : Contemporary Art and the Antinomies of Conspiracy
Larne Abse Gogarty
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Materials, Practices, and Politics of Shine in Modern Art and Popular Culture
Antje (Goethe University Frankfurt, Germany) Krause-Wahl
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Jeanne Mammen : Art Between Resistance and Conformity in Modern Germany, 1916-1950
Camilla (University of Birmingham, UK) Smith
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Lead in Modern and Contemporary Art
Dr. Sharon (Independent Scholar, Independent Scholar, Italy) Hecker
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A Cultural History of Color in the Modern Age
Dr Anders (Umea University, Sweden) Steinvall
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Nell Walden, Der Sturm, and the Collaborative Cultures of Modern Art
Jessica Sjoholm Skrubbe
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Julio Galan : The Art of Performative Transgression
Teresa Eckmann
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The New York Market for French Art in the Gilded Age, 1867-1893
Leanne M. (Central Connecticut State University, USA) Zalewski
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The Traumatic Surreal : Germanophone Women Artists and Surrealism After the Second World War
Patricia Allmer
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Surrealism and Film After 1945 : Absolutely Modern Mysteries
Kristoffer Noheden
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Henry Gray's Anatomy : Descriptive and Surgical
Henry Gray
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The Complete Commercial Artist: Making Modern Design in Japan, 1928–1930
Gennifer Weisenfeld
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The Postcolonial Condition of Architecture in Asia : A Lead from Display-ness
Francis Chia-Hui Lin
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The Art of Entertainment : Popular Performance in Modern British Art, 1880 to 1940
Jason Price
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Being and Neonness : Translation and content revised, augmented, and updated for this edition by Luis de Miranda
Luis De Miranda
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Kunst der Vereinigten Staaten 1750–2000 : Eine kommentierte Quellenanthologie
John Davis
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Wege zur Gerechtigkeit bei „NS-Raubkunst“ : Die heutige Restitutionspraxis im Lichte des alliierten Ruckerstattungsrechts
Charis Hahne
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Ausgleichsleistungen fur Kulturguterverluste wahrend der Zeit des Nationalsozialismus in Frankreich
Johannes von Lintig
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Maintenant 18: A Journal of Contemporary Dada Writing and Art
Peter Carlaftes
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24! / Fragen an die Konkrete Gegenwart
Mathias Listl
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