Chantal Akerman : Travelling
Bozar-Centre for Fine Arts
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The Filmmaker's Eye: The Language of the Lens : The Power of Lenses and the Expressive Cinematic Image
Gustavo Mercado
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Cue and Cut : A Practical Approach to Working in Multi-Camera Studios
Roger Singleton-Turner
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The Filmmaker's Eye : Learning (and Breaking) the Rules of Cinematic Composition
Gustavo Mercado
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The Animator's Eye : Adding Life to Animation with Timing, Layout, Design, Color and Sound
Francis Glebas
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Sound Design for Moving Image : From Concept to Realization
Miss Kahra Scott-James
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The Basics of Filmmaking : Screenwriting, Producing, Directing, Cinematography, Audio, & Editing
Blain Brown
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Compositing Visual Effects : Essentials for the Aspiring Artist
Steve (Visual Effect Compositing Veteran, Los Angeles, CA, USA Wright
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Color Grading 101 : Getting Started Color Grading for Editors, Cinematographers, Directors, and Aspiring Colorists
Charles (Feirstein Graduate School of Cinema, USA) Haine
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Magnum Sul Set : Magnum Photographers on Film Sets
Alberto Barbera
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Colour Films in Britain : The Eastmancolor Revolution
Sarah (University of Bristol) Street
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Composition
David Prakel
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The Practical Guide to Documentary Editing : Techniques for TV and Film
Sam (Film and TV editor, UK) Billinge
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Reel Change : A History of British Cinema from the Projection Box
Richard Wallace
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The Visual Story : Creating the Visual Structure of Film, TV and Digital Media
Bruce A. Block
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