Acting from Shakespeare's First Folio : Theory, Text and Performance
Don (Tufts University, USA) Weingust
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Somatic Voices in Performance Research and Beyond
Christina Kapadocha
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Contemporary Rehearsal Practice : Anthony Neilson and the Devised Text
Gary Cassidy
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In Search of Stanislavsky’s Creative State on the Stage : With a Practice as Research Case Study
Gabriela Curpan
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Partners of the Imagination : The Lives, Art and Struggles of John Arden and Margaretta D’Arcy
Robert Leach
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Attention in Performance : Acting Lessons in Sensory Anthropology
Cassis (Mainz University, Germany) Kilian
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Arthur Lessac's Embodied Actor Training
Melissa (Independent Theatre & Performance Scholar) Hurt
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Pandemic Performance : Resilience, Liveness, and Protest in Quarantine Times
Kendra Capece
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Using Open Scenes to Act Successfully on Stage and Screen
Dan Carter
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Acting after Grotowski : Theatre’s Carnal Prayer
Kris Salata
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The Routledge Companion to Performance Practitioners : Volume Two
Franc Chamberlain
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The Routledge Companion to Performance Practitioners : Volume One
Franc Chamberlain
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Actors on Guard : A Practical Guide for the Use of the Rapier and Dagger for Stage and Screen
Dale Anthony Girard
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In the Company of Actors : Reflections on the Craft of Acting
Carole Zucker
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Adolphe Appia : Texts on Theatre
Richard C. Beacham
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So Therefore... : A Practical Guide For Actors
Al Ruscio
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Reframing Acting in the Digital Age : Nimbly Scaling Actor Training in the Academy
Artemis (Loyola University, USA) Preeshl
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Incapacity and Theatricality : Politics and Aesthetics in Theatre Involving Actors with Intellectual Disabilities
Tony McCaffrey
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Actors on Guard : Training, Rehearsal and Performance Techniques with the Rapier and Dagger for the Stage and Screen
Dale Anthony Girard
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Why the Theatre : In Personal Essays, College Teachers, Actors, Directors, and Playwrights Tell Why the Theatre Is So Vital to Them
Sidney (University of Florida, USA) Homan
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