An Introduction to the Phenomenology of Performance Art : SELF/s
T. J. Bacon
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Add to BasketWorking with Actors : Meisner Technique for Directors and Actors
Stephen Bayly
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Add to BasketI'll Be You
Janelle Brown
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Drama Menu: Second Helpings : Another 160 Tasty Theatre Games
Glyn Trefor-Jones
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Acting for Animators
Ed Hooks
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Add to BasketWhat Actors Do : Advice to the Players in Seven Paradoxes and a Manifesto
Mike Alfreds
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Add to BasketThe Elemental Actor : How to Release Your Hidden Powers
Mel Churcher
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Add to BasketSpeaking Shakespeare
Patsy Rodenburg
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Add to BasketGreat Monologues : And How to Give Winning Auditions
Glenn Alterman
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Add to BasketSecrets of Screen Acting
Patrick (The Original Shakespeare Company, London, UK) Tucker
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Add to BasketStarting a Theatre Company : How to Become a Theatre Maker and Create Your Own Work
Karl Falconer
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Add to BasketNine questions every actor of color should consider when tokenism is not enough
Shanesia Davis
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The Art of Broadsword Fighting for Stage and Screen : An Actor’s and Director’s Guide to Staged Violence
Erick Vaughn Wolfe
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Towards Embodied Performance : Directing and the Art of Composition
Rachel Dickstein
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The Improv Dictionary : An A to Z of Improvisational Terms, Techniques, and Tools
David Charles
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The Third Space : Body, Voice, and Imagination
Robert (Charles Sturt University, Australia) Lewis
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Working with Children in Contemporary Performance : Ethics, Agency and Affect
Sarah (Victorian College of the Arts, Australia) Austin
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The Art of Broadsword Fighting for Stage and Screen : An Actor's and Director's Guide to Staged Violence
Erick Vaughn Wolfe
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The Art of Broadsword Fighting for Stage and Screen : An Actor's and Director's Guide to Staged Violence
Erick Vaughn Wolfe
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Why Theatre Education Matters : Understanding Its Cognitive, Social, and Emotional Benefits
Thalia R. Goldstein
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Why Theatre Education Matters : Understanding Its Cognitive, Social, and Emotional Benefits
Thalia R. Goldstein
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