Directing Amateur Musical Theatre : A Practical Guide for Non-Professional Theatre
Dom (Commissiong Editor, Plays) O'Hanlon
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Off Book : Devised Performance and Higher Education
Heather Fitzsimmons Frey
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Insights in Applied Theatre : The Early Days and Onwards
Peter (The University of Auckland, New Zealand) O'Connor
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Music Theatre and the Holy Roman Empire : The German Musical Stage at the Turn of the Nineteenth Century
Austin (University of Durham) Glatthorn
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Bad Godots : ‘Vladimir Emerges from the Barrel' and Other Interventions
S. E. (Florida State University) Gontarski
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Shakespeare and Nonhuman Intelligence
Heather (Texas Tech University) Warren-Crow
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Utpal Dutt and Political Theatre in Postcolonial India
Mallarika (Jawaharlal Nehru University) Sinha Roy
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Decolonising African Theatre
Samuel (University of the Witwatersrand, Johannesburg) Ravengai
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A Performance History of The Fair Penitent
Elaine (University of Bristol) McGirr
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The Festival of India : Development and Diplomacy at the End of the Cold War
Rashna Darius (University of Warwick) Nicholson
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Staging Disgust : Rape, Shame, and Performance in Shakespeare and Middleton
Jennifer (University of Ottawa) Panek
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Sleep No More and the Discourses of Shakespeare Performance
D. J. (San Diego State University) Hopkins
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Performing Nationalism in Russia
Yana (University of Ottawa) Meerzon
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Performing Grief in Pandemic Theatres
Fintan (Birkbeck, University of London) Walsh
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Theatricality, Playtexts and Society
David (University of York) Barnett
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Crisis Theatre and The Living Newspaper
Sarah Jane (University of Northampton) Mullan
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Clean Break Theatre Company
Caoimhe (Queen Mary University of London) McAvinchey
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Storytelling in Motion : Cinematic Choreography and the Film Musical
Jenny (Assistant Professor, Assistant Professor, Univ Oyallon-Koloski
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Complicit Participation : The Liberal Audience for Theater of Racial Justice
Carrie J. (Professor of English and Women's, Gender, & Sexual Preston
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The Globe in Print : The Book of the Play in the Age of Shakespeare
Stephen (J. E. Reynolds Professor in Humanities, J. E. Reynolds Orgel
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Analysis through Action for Actors and Directors : From Stanislavsky to Contemporary Performance
David Chambers
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Why Theatre Education Matters : Understanding Its Cognitive, Social, and Emotional Benefits
Thalia R. Goldstein
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Max Reinhardt : From Bourgeois Theater to Metropolitan Culture
Peter W. Marx
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