Why Theatre Education Matters : Understanding Its Cognitive, Social, and Emotional Benefits
Thalia R. Goldstein
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Nine questions every actor of color should consider when tokenism is not enough
Shanesia Davis
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The Art of Broadsword Fighting for Stage and Screen : An Actor’s and Director’s Guide to Staged Violence
Erick Vaughn Wolfe
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Towards Embodied Performance : Directing and the Art of Composition
Rachel Dickstein
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The Improv Dictionary : An A to Z of Improvisational Terms, Techniques, and Tools
David Charles
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Working with Children in Contemporary Performance : Ethics, Agency and Affect
Sarah (Victorian College of the Arts, Australia) Austin
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The Independent Actor : An Accessible Companion for All Actors
Sally Ann Gritton
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An Actor’s Guide to Corporate Role Play : The Best Side-Job for Actors
Syrus (Freelance practitioner, UK) Lowe
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Acting Professionally : An Essential Career Guide for the Actor
Professor Robert (University of California, Irvine, USA) Cohen
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The Alexander Technique : A Personal and Critical Guide for Practitioners, Students and Performance Artists
Peter Ribeaux
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Acting Power : The 21st Century Edition
Robert Cohen
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An Introduction to the Phenomenology of Performance Art : SELF/s
T. J. Bacon
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Sounding Bodies : Identity, Injustice, and the Voice
Ann Cahill
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Performing Nature : Explorations in Ecology and the Arts
Gabriella Giannachi
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The Professional Actor's Handbook : From Casting Call to Curtain Call
Julio Agustin
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The Art of Voice Acting : The Craft and Business of Performing for Voiceover
James R. Alburger
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The Third Space : Body, Voice, and Imagination
Robert (Charles Sturt University, Australia) Lewis
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Strasberg's Method As Taught by Lorrie Hull : A Practical Guide for Actors, Teachers, Directors
S Loraine Hull
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Listening and Talking : A Pathway to Acting
Evan (Richard Rodgers Director of Drama, Julliard, New York Yionoulis
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