Liberating Shakespeare : Adaptation and Empowerment for Young Adult Audiences
Dr Jennifer Flaherty
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Three Yiddish Plays by Women : Female Jewish Perspectives, 1880-1920
Dr Alyssa (Yeshiva University, USA) Quint
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Social Media in Musical Theatre
Trevor Boffone
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Theory for Theatre Studies: Light
Professor Dean (The University of North Carolina School of the Wilcox
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The Alexander Technique : A Personal and Critical Guide for Practitioners, Students and Performance Artists
Peter Ribeaux
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Directing Amateur Musical Theatre : A Practical Guide for Non-Professional Theatre
Dom (Commissiong Editor, Plays) O'Hanlon
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Innovation in the Arts : Concepts, Theories, and Practices
Jason C. White
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Shakespeare and the Theater of Pity : Sinon’s Borrowed Tears
Shawn Smith
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Women Making Shakespeare in the Twenty-First Century
Kim (Western University) Solga
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Shakespeare and Nonhuman Intelligence
Heather Warren-Crow
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Shakespeare and Nonhuman Intelligence
Heather (Texas Tech University) Warren-Crow
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Utpal Dutt and Political Theatre in Postcolonial India
Mallarika (Jawaharlal Nehru University) Sinha Roy
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Utpal Dutt and Political Theatre in Postcolonial India
Mallarika Sinha Roy
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Decolonising African Theatre
Samuel (University of the Witwatersrand, Johannesburg) Ravengai
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Performance History of The Fair Penitent
Elaine McGirr
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A Performance History of The Fair Penitent
Elaine (University of Bristol) McGirr
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Performance History of The Fair Penitent
Elaine McGirr
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The Festival of India : Development and Diplomacy at the End of the Cold War
Rashna Darius (University of Warwick) Nicholson
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The Festival of India : Development and Diplomacy at the End of the Cold War
Rashna Darius (University of Warwick) Nicholson
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Festival of India : Development and Diplomacy at the End of the Cold War
Rashna Darius Nicholson
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The Great Gatsby: The 1926 Broadway Script
James L. W. (Pennsylvania State University) West III
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The Poetics of Performance Diagrams
Andrej (Universitat der Kunste Berlin) Mircev
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