I'll Be You
Janelle Brown
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The Independent Actor : An Accessible Companion for All Actors
Sally Ann Gritton
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An Actor’s Guide to Corporate Role Play : The Best Side-Job for Actors
Syrus (Freelance practitioner, UK) Lowe
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Acting Professionally : An Essential Career Guide for the Actor
Professor Robert (University of California, Irvine, USA) Cohen
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Why Theatre Education Matters : Understanding Its Cognitive, Social, and Emotional Benefits
Thalia R. Goldstein
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The Third Space : Body, Voice, and Imagination
Robert (Charles Sturt University, Australia) Lewis
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Working with Children in Contemporary Performance : Ethics, Agency and Affect
Sarah (Victorian College of the Arts, Australia) Austin
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The Alexander Technique : A Personal and Critical Guide for Practitioners, Students and Performance Artists
Peter Ribeaux
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The Routledge Companion to Performance-Related Concepts in Non-European Languages
Erika (Free University of Berlin, Germany) Fischer-Lichte
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Nine questions every actor of color should consider when tokenism is not enough
Shanesia Davis
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The Art of Broadsword Fighting for Stage and Screen : An Actor’s and Director’s Guide to Staged Violence
Erick Vaughn Wolfe
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Towards Embodied Performance : Directing and the Art of Composition
Rachel Dickstein
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The Improv Dictionary : An A to Z of Improvisational Terms, Techniques, and Tools
David Charles
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Actions: The Actors' Thesaurus
Marina Caldarone
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Add to BasketTrue and False
David Mamet
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Add to BasketDrama Games for Classrooms and Workshops
Jessica Swale
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Jessica Swale
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Add to BasketDirecting a Play
Michael McCaffery
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Actioning - and How to Do It
Nick Moseley
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