Liminal Noir in Classical World Cinema
Elyce Helford
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Women's Work in Post-war Italy : An Oral and Filmic History
Flora Derounian
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Subjectivity and Decolonisation in the Post-Independence Novel and Film
Sarah Jilani
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Theatricality and the Arts : Film, Theatre, Art
Andrew Quick
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Cinema and Machine Vision : Artificial Intelligence, Aesthetics and Spectatorship
Daniel Chavez Heras
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Armchair Cinema : A History of Feature Films on British Television, 1929-1981
Sheldon Hall
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Stardom, Film Couples and Love Teams in 1970s Philippine Cinema
Chrishandra Sebastiampillai
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Resistance in Indian Documentary Film : Aesthetics, Culture and Practice
Shweta Kishore
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Is Harpo Free? : And Other Questions of the Metaphysical Screen
Matthew Cipa
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Through a Nuclear Lens : France, Japan, and Cinema from Hiroshima to Fukushima
Hannah Holtzman
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Listening to Others : Eduardo Coutinho's Documentary Cinema
Natalia Brizuela
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From Havana to Hollywood : Slave Resistance in the Cinematic Imaginary
Philip Kaisary
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Licence to Thrill : A Cultural History of the James Bond Films
Prof James (University of Leicester, UK) Chapman
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Bollypolitics : Popular Hindi Cinema and Hindutva
Ajay (Sonoma State University, USA) Gehlawat
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Silver Screens and Golden Dreams : A Social History of Burmese Cinema
Jane M. Ferguson
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Impossible Speech : The Politics of Representation in Contemporary Korean Literature and Film
Christopher Hanscom
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Through a Noir Lens : Adapting Film Noir Visual Style
Sheri Chinen Biesen
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