On Kubrick : Revised Edition
James Naremore
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Incomplete : The Feminist Possibilities of the Unfinished Film
Dr. Alix Beeston
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What Film Is Good For : On the Values of Spectatorship
Prof. Julian Hanich
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Cliffhanger! : Cinematic Superheroes of the Serials: 1941–1952
Christopher Irving
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The Intensive-Image in Deleuze's Film-Philosophy
Crist bal Escobar
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Lena Horne : Goddess Reclaimed
Donald Bogle
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The Art of the Filmmaker : The Practical Aesthetics of the Screen
Peter Markham
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African Cinema: Manifesto and Practice for Cultural Decolonization : Volume 1: Colonial Antecedents, Constituents, Theory, and Articulations
Michael T. Martin
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Poltergeist
Rob McLaughlin
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Refocus: the Films of Susan Seidelman
Susan Kerns
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Refocus: The Films of Alejandro Jodorowsky
Michael Witte
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Refocus: the Films of Wes Craven
Calum Waddell
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Refocus: the Films of Steve Mcqueen
Thomas Austin
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Refocus: the Films of Claire Denis
Peter Sloane
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Velvet Curtains and Gilded Frames : The Art of Early European Cinema
Vito Adriaensens
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AI in the Movies
Paula Murphy
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Transgressive Art Films : Extremity, Ethics, and Controversial Images of Sex and Violence
Oliver Kenny
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Liminal Noir in Classical World Cinema
Elyce Helford
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The Value Gap – Female–Driven Films from Pitch to Premiere
Courtney Brannon Donoghue
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Women's Work in Post-war Italy : An Oral and Filmic History
Flora Derounian
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Ulrike Ottinger : Film, Art and the Ethnographic Imagination
Prof. Angela McRobbie
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Childhood in Animation : Navigating a Secret World
Jane (University of Lincoln, UK) Batkin
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