Moving Pictures : A History of American Animation from Gertie to Pixar and Beyond
Darl Larsen
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Intimacy and the Anxieties of Cinematic Flesh : Between Phenomenology and Psychoanalysis
Professor Patrick Fuery
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The Myth of Harm : Horror, Censorship and the Child
Sarah Cleary
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The Prison of Time : Stanley Kubrick, Adrian Lyne, Michael Bay and Quentin Tarantino
Elisa Pezzotta
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The Cinematic Influence : Interaction and Exchange Between the Cinemas of France and Japan
Peter C. (University of Adelaide, Australia) Pugsley
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Art and the Historical Film : Between Realism and the Sublime
Dr Gillian McIver
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Ingmar Bergman at the Crossroads : Between Theory and Practice
Maaret Koskinen
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The Australian Film Revival : 1970s, 1980s, and Beyond
Susan (Loyola Marymount University, USA) Barber
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The Influencer Factory : A Marxist Theory of Corporate Personhood on YouTube
Grant Bollmer
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Performing Chinatown : Hollywood, Tourism, and the Making of a Chinese American Community
William Gow
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Interactive Cinema : The Ambiguous Ethics of Media Participation
Marina Hassapopoulou
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Movies under the Influence
Jocelyn Szczepaniak-Gillece
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Stardust : Cinematic Archives at the End of the World
Hannah Goodwin
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Hollywood Behind the Lens : Treasures from the Bison Archives
Marc Wanamaker
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Copyright Vigilantes : Intellectual Property and the Hollywood Superhero
Ezra Claverie
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The Sinful Maternal : Motherhood in Possession Films
Lauren Rocha
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Playing the Percentages : How Film Distribution Made the Hollywood Studio System
Derek Long
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Teaching Film from the People's Republic of China
Zhuoyi Wang
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Cinema, Black Suffering, and Theodicy : Modern God
Shayne Lee
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Animals in Narrative Film and Television : Strange and Familiar Creatures
Karin Beeler
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Trash and Limits in Latin American Culture
Micah McKay
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Re-Thinking The Godfather 50 Years Later
Anthony Julian Tamburri
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The Bressonians : French Cinema and the Culture of Authorship
Codruta Morari
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