Joan Crawford in Film Noir : The Actress as Auteur
David Meuel
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Hollywood Sex Comedies, 1953-1964 : A Critical Analysis of 25 Films
Hal Erickson
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Masks in Horror Cinema : Eyes Without Faces
Alexandra Heller-Nicholas
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New Blood : Critical Approaches to Contemporary Horror
Eddie Falvey
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Blumhouse Productions : The New House of Horror
Todd K. Platts
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The Black Irish Onscreen : Representing Black and Mixed-Race Identities on Irish Film and Television
Zelie Asava
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Corporate Wrongdoing on Film : The ‘Public Be Damned’
Kenneth (Professor at Wilfrid Laurier Univ., Canada) Dowler
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Les Ann?es 80 : Publicit?s cin?ma dans les journaux du Qu?bec
Sv Bell
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Infectious Inequalities : Epidemics, Trust, and Social Vulnerabilities in Cinema
Qijun Han
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Terror Down Under : A History of Horror Film in Australia, 1897-1973
Daniel Best
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Thinking Past ‘Post-9/11’ : Home, Nation and Transnational Desires in Pakistani English Novels and Hindi Films
Jayana (University of Munster, Germany) Jain
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Contemporary American Science Fiction Film
Terence McSweeney
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Gesture in French Post-New Wave Cinema
Francois Giraud
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The Blaxploitation Horror Film : Adaptation, Appropriation and the Gothic
Jamil Mustafa
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British Crime Film : Subverting the Social Order
Barry Forshaw
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The Filmmaker's Book of the Dead : A Mortal’s Guide to Making Horror Movies
Danny Draven
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The History on Film Reader
Marnie (Monash University, Australia) Hughes-Warrington
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Music in the Horror Film : Listening to Fear
Neil Lerner
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The Colour Fantastic : Chromatic Worlds of Silent Cinema
Giovanna Fossati
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The Essay Film : From Montaigne, After Marker
Timothy (Professor of English and Cinema Studies, Professor Corrigan
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Horror Film and Affect : Towards a Corporeal Model of Viewership
Xavier Aldana Reyes
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