Ways of Remembering: Volume 1 : Law, Cinema and Collective Memory in the New India
Oishik (O.P. Jindal Global University, India) Sircar
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Textiles on Film
Becky (University of New Mexico, USA) Peterson
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Licence to Thrill : A Cultural History of the James Bond Films
Prof James (University of Leicester, UK) Chapman
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Peggy Webling and the Story behind Frankenstein : The Making of a Hollywood Monster
Peggy Webling
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Derek Jarman’s Visionary Arts : Exploring Land and Depth
Michael Charlesworth
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Bollypolitics : Popular Hindi Cinema and Hindutva
Ajay (Sonoma State University, USA) Gehlawat
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The Great European Stage Directors Set 1 : Volumes 1-4: Pre-1950
Simon (Royal Central School of Speech & Drama, University of Shepherd
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Bob Dylan on Film : The Intersection of Music and Visuals
Jonathan Hodgers
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Tell Your Story : Visual Storytelling Pitfalls and How to Avoid Them
Bill (Member of American Society of Cinematographers (ASC), Prof Dill
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Resistant Reproductions : Pregnancy and Abortion in British Literature and Film
Fran Bigman
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Film Psychoanalysis : Relational Approaches to Film Interpretation
Andreas Hamburger
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The Routledge Companion to Copyright and Creativity in the 21st Century
Michelle Bogre
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Contemporary Lusophone African Film : Transnational Communities and Alternative Modernities
Paulo de Medeiros
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Hollywood's Imperial Wars : The Vietnam Generation and the American Myth of Heroic Continuity
Armando Jose Prats
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Race and Media Literacy, Explained (or Why Does the Black Guy Die First?)
Frederick W. Gooding, Jr.
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Race and Media Literacy, Explained (or Why Does the Black Guy Die First?)
Frederick W. Gooding, Jr.
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Max Reinhardt : From Bourgeois Theater to Metropolitan Culture
Peter W. Marx
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So What, or How to Make Films with Words
Alexander Garcia Duttmann
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Cinematic Representations of Women in Modern Celebrity Culture, 1900–1950
Maria Cristina C. Mabrey
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Korean Film and Festivals : Global Transcultural Flows
Hyunseon (SOAS University of London, UK) Lee
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