Picture a day like this (Limited Edition Full Score)
George Benjamin
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Violin Concerto ‘Concentric Paths’
Thomas Ades
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Art Music Activism : Aesthetics and Politics in 1930s New York City
Maria Cristina Fava
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Vaughan Williams in Context
Julian (West Chester University, Pennsylvania) Onderdonk
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Leonard Bernstein in Context
Elizabeth A. (Mount Allison University, Canada) Wells
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Britten's Gods : Purcell, Bach, Mozart, Schubert, Verdi, Mahler
Sterling Lambert
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Autobiographical Recollections of Charles-Marie Widor
John R (Royalty Account) Near
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The Musical Relationship between Claude Debussy and Igor Stravinsky
Professor Mark McFarland
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Bob Dylan on Film : The Intersection of Music and Visuals
Jonathan Hodgers
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Picture a Day Like This (full score)
George Benjamin
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Musical Modernism in Global Perspective : Entangled Histories on a Shared Planet
Bjorn (University of Glasgow) Heile
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Suppressed Composers in the Netherlands : Forbidden Music in the Second World War
Carine Alders
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From Broadway to The Bronx : New York City’s History through Song
Veronika Keller
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On Sonic Art
Trevor Wishart
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Edward Elgar : A Creative Life
Jerrold Northrop Moore
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Musical Composition in the Twentieth Century
Arnold (Professor (Emeritus), Music Theory & Analysis, Profe Whittall
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Inside Bluebeard's Castle : Music and Drama in Bela Bartok's Opera
Carl S. (Assistant Professor of Music History, Assistant Pr Leafstedt
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Understanding the Leitmotif : From Wagner to Hollywood Film Music
Matthew (University of Minnesota) Bribitzer-Stull
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Gerald Finzi's Letters, 1915-1956
Diana McVeagh
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Rachmaninoff: Composer, Pianist, Conductor
Barrie Martyn
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Literary Britten : Words and Music in Benjamin Britten's Vocal Works
Kate Kennedy
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Demystifying Scriabin
Vasilis Kallis
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Aaron Copland in Latin America : Music and Cultural Politics
Carol A. Hess
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