The Year that Made the Musical : 1924 and the Glamour of Musical Theatre
William A. (University of Missouri, Kansas City) Everett
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Musical Modernism in Global Perspective : Entangled Histories on a Shared Planet
Bjorn (University of Glasgow) Heile
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Cognate Music Theories : The Past and the Other in Musicology (Essays in Honor of John Walter Hill)
Ignacio Prats-Arolas
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The Media of Secular Music in the Medieval and Early Modern Period (1100–1650)
Vincenzo Borghetti
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Composing for Silent Film
Jack Curtis Dubowsky
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Women in Nineteenth-Century Czech Musical Culture : Apostles of a Brighter Future
Anja Bunzel
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Decolonising and Indigenising Music Education : First Peoples Leading Research and Practice
Te Oti Rakena
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History as Fantasy in Music, Sound, Image, and Media
James (Edinburgh University) Cook
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John Zorn’s File Card Works : Hypertextual Intermediality in Composition and Analysis
Maurice Windleburn
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Resurrecting Song : A Pathway Forward for the Choral Art in the Time of Pandemics
Wendy K. Moy
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Tradition, Community, and Nationhood in Richard Wagner’s 'Die Meistersinger von Nurnberg'
Christopher Kimbell
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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International Who's Who in Classical Music 2024
Europa Publications
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Navigating Stylistic Boundaries in the Music History Classroom : Crossover, Exchange, Appropriation
Esther M. Morgan-Ellis
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Britten Experienced : Modernism, Musicology and Sentiment
Peter Franklin
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Vaughan Williams in Context
Julian (West Chester University, Pennsylvania) Onderdonk
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Opera, Tragedy, and Neighbouring Forms from Corneille to Calzabigi
Blair Hoxby
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Opera for Everyone : The Industry's Experiments with American Opera in the Digital Age
Megan Steigerwald Ille
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The Routledge Companion to Women and Musical Leadership : The Nineteenth Century and Beyond
Laura Hamer
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From Stage to Studio : Performances versus Recordings in Classical Music
Amy (Royal Academy of Music, UK) Blier-Carruthers
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