Modal Counterpoint : Renaissance Style
Peter (Associate Professor in the Faculty of Music, Associat Schubert
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The Renaissance : The Cultural Rebirth of Europe
John D Wright
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Music in Elizabethan Court Politics
Katherine, BSc MBBCh Butler
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Renaissance Recorder Anthology : 32 Pieces for Soprano (Descant) Recorder and Piano 2
Kathryn Bennetts
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Musical Notation in the West
James (University of Western Ontario) Grier
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Music and Instruments of the Elizabethan Age : The Eglantine Table
Michael (Royalty Account) Fleming
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Early English Composers and the Credo : Emphasis as Interpretation in Sixteenth-Century Music
Wendy J Porter
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Orpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel (Boston Conservatory at Berklee, USA) Schwindt
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Music and Performance in the Book of Hours
Michael Alan Anderson
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Material Cultures of Music Notation : New Perspectives on Musical Inscription
Floris (Utrecht University, Netherlands) Schuiling
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The Liturgical Poetry of Adam of St. Victor; Volume III
Adam De Saint-Victor
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Die Lieder; Gottfried von Neifen
Gottfried Von Neifen
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Bruder Hansens Marienlieder aus dem vierzehnten Jahrhundert.
Hans
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Authorship and Identity in Late Thirteenth-Century Motets
Catherine A. Bradley
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The Sound of Byzantium – The Byzantine Musical Instruments
Antonios Botonakis
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The Oxford Illustrated History of the Renaissance
Gordon (Fellow in Renaissance Studies, Fellow in Renaissance Campbell
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The Performance of 16th-Century Music : Learning from the Theorists
Anne (Recorder and Renaissance Flute Instructor, Recorder and R Smith
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The Music of the Troubadours
Elizabeth Aubrey
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Music in the Medieval West
Margot (University of Notre Dame) Fassler
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Anthology for Music in the Medieval West
Margot (University of Notre Dame) Fassler
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The Renaissance Reform of Medieval Music Theory : Guido of Arezzo between Myth and History
Stefano (Dr, University of Michigan, Ann Arbor) Mengozzi
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The Notation of Polyphonic Music 900 1600
Willi Apel
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